
Adam W. S. Hall is a Renaissance scholar who enjoys the study of art and literature as well as writing poetry.
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TWO MUSICIAN ANGELS
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Although there are more elements in The National Gallery version of The Virgin of the Rocks that can be illuminated, this exploration is...
Note: This is the 4th section in a series focusing on The National Gallery Virgin of the Rocks by Leonardo DaVinci. Readers are encouraged to read previous sections before embarking on this one.
The Basilisk
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Devil in Disguise
Turning our attention to the head of Mary what do we see? Here is clearly the most striking departure of Leonardo from his “Natural” and scientific exactitude of reproduction through the use of sfumato technique and also...
In Part 1 was introduced the possible theme of Caesar Augustus in the London version of DaVinci’s Virgin of the Rocks. This section will follow this lead a bit further with the thematic theme of taxation.
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Leonardo da Vinci, The Virgin with the Infant Saint John the Baptist adoring the Christ Child accompanied by an Angel (“The Virgin of the Rocks”), about 1491/1492-1499 and 1506-1508, oil on poplar, 189.5 x 120 cm, National Gallery, London....
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Adam W. S. Hall is a Renaissance scholar who enjoys the study of art and literature as well as writing poetry.
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