The Dematerialization of the Art World
Aimee WallestonOn art and images
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 8 | Subscribers | Read | aimeewalleston.substack.com |
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Latest Issues
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SOMEBODY TAUGHT HERSELF DAVINCI RESOLVE THIS SUMMER
I have long been itching to expand into the realm of film. After some inspiring conversations with my friend Jeremy Lee Spears, this summer we decided to conduct a few film experiments based on the Jungian concept of the Anima and its relat...
CIVIL WAR: A SOMEWHAT FORMALIST ANALYSIS
My previous post War Lore, published with Do Not Research, critiques, among other things, initial reactions to the film’s trailer. To me, Civil War demands visual analysis because of how much nuance is embedded within its imagery (some of w...
The Dematerialization of the Art World Part 2
At the end of Part 1 of this series, I hint at a radical restructuring to the art world that I encountered at the start of the 2010s. I will continue to carve out the shape of this restructuring and the burgeoning dematerialization as I see...
The Dematerialization of the Art World, Part 1
Inspired by Lucy Lippard’s Six Years: The Dematerialization of the Art Object from 1966 to 1972, I am writing about the dematerialization of the art world. Here’s the first entry…
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Authors
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Aimee Walleston is a cultural critic, essayist and adjunct professor working in New York City. She has written for publications including Real Life, Art in America and Do Not Research, among many others.
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