The Dematerialization of the Art World
Aimee WallestonOn art and images
| Platform |  | Pricing | Only free issues | Publishes | Monthly |
|---|---|---|---|---|---|
| Issues | 14 | Subscribers | Read | aimeewalleston.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
A REPORT ON THE BANALITY OF INTERNET RADICALIZATION
This is a very long and loose and rather meandering essay that I started writing at the end of March. I wanted to compose something that made sense of my experiences on what I term the “social internet”—as I have now largely moved on to oth...
NEW PIECE ON ROSEMARIE TROCKEL FOR OCULA
Read it HERE
THE AESTHETICS OF LEGITIMACY
I’ve been wrestling with an idea lately, something along the lines of what it means to have or create legitimacy in a given domain, and how legitimacy begets expertise, which then begets success. I teach a history course on the evolution of...
LEONARD PELTIER
She used to conduct food drives for the Oglala Lakota tribespeople living on the Pine Ridge Reservation in South Dakota (this reservation is the site of the 1975 FBI shootout incident that Peltier was subsequently accused and convicted of p...
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Authors
The writers behind this newsletter.
Aimee Walleston is a writer, editor, and adjunct professor working in New York City. She serves as U.S. Contributing Editor for Ocula magazine.
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