The Dematerialization of the Art World
Aimee WallestonOn art and images
| Platform |  | Pricing | Only free issues | Publishes | Monthly |
|---|---|---|---|---|---|
| Issues | 14 | Founded | 3 years ago | Last Issue | a year ago |
| Active | |||||
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aimeewalleston.substack.comLatest Issues
A REPORT ON THE BANALITY OF INTERNET RADICALIZATION
This is a very long and loose and rather meandering essay that I started writing at the end of March. I wanted to compose something that made sense of my experiences on what I term the “social internet”—as I have now largely moved on to oth...
NEW PIECE ON ROSEMARIE TROCKEL FOR OCULA
Read it HERE
THE AESTHETICS OF LEGITIMACY
I’ve been wrestling with an idea lately, something along the lines of what it means to have or create legitimacy in a given domain, and how legitimacy begets expertise, which then begets success. I teach a history course on the evolution of...
LEONARD PELTIER
She used to conduct food drives for the Oglala Lakota tribespeople living on the Pine Ridge Reservation in South Dakota (this reservation is the site of the 1975 FBI shootout incident that Peltier was subsequently accused and convicted of p...
THE NEW TRUTH
This is a speculative essay. I started it a few years ago, inspired in part by the Johnny Depp/Amber Heard trial and my fascination with both the history of law and with criminally under-read historian E.P. Thompson.
In just a decade and...
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Authors
The writers behind this newsletter.
Aimee Walleston is a writer, editor, and adjunct professor working in New York City. She serves as U.S. Contributing Editor for Ocula magazine.
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