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Artwork for Autobiographix

Autobiographix

Amaris Ketcham, Nora Hickey

Explorations in nonfiction and autobio comics

Platform
Substack
PricingOnly free issuesPublishesWeekly
Issues118SubscribersRead autobiographix.substack.com

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#129
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Latest Issues

Recent posts by this newsletter. Browse the email archive.

An Interview with Karen D. Brame

In 2025, Nora met multi-hyphenate Karen D. Brame, an Information Services Librarian at the Dayton Metro Library’s Special Collections with an emphasis on Africana Archives. They became acquainted as Nora tracked down a little known greeting...

14 days ago
9
2

Reading Breast Cancer Comics in the Waiting Room

One thing is for sure: having cancer involves a lot of waiting—and a lot of waiting rooms. I always like to have a book on hand, and since I have doctor appointments nearly every week, it seemed like a great opportunity to read all the brea...

a month ago
25
21

Making Nonfiction Comics

Autobiographix loves a comic-making companion—we’ve used guides from Scott McCloud, Lynda Barry, Kelcey Ervick, and more in the classroom and in our own practice. So, when we learned that comic creators, stewards, editors, and aficionados E...

a month ago
34
5

2026 Resolutions for Comics Lovers

Happy new year! January 1 is one of our favorite days, because it always has potential. It’s a day to dream about the coming year, to hatch plans and draft new routines. As the first day of the year, it’s a slate as blank as a snowfield, wi...

2 months ago
39
12

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Authors

The writers behind this newsletter.

  • Amaris Ketcham

    Amaris writes about comics for Autobiographix. She is the author of Unfiltered: A Cancer Year Diary, a collection of daily comics about caregiving and kidney cancer. She is an artist-in-medicine for the University of New Mexico.

  • Nora Hickey

    Nora is a licensed counselor (LSW) who teaches comics on the side. She has taught at UNM, CSU, CCAD, and more. She once worked at comic publishers Devil’s Due Publishing. Her writing appears in Guernica, Hyperallergic and elsewhere.

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