Playing in the tides of creation
| Platform |  | Pricing | Freemium | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 344 | Founded | 3 years ago | Last Issue | 6 days ago |
| Active | |||||
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catemcquaid.substack.comLatest Issues
Yearning for a past that never was
William Evertson on how he made "Consumed by the Never Was," on view in "Patchwork" at Florence Griswold Museum
The exhibition America Unfinished?!, comes to Waterfire Arts Center in Providence this weekend for a run through August 30. The...
An intimate gathering of friends
Mark Cooper and Joel Janowitz strike a balance at Jane Deering Gallery
I used to feel daunted going into Mark Cooper’s exhibitions. There was so much going on – an abundance of form, color, gesture, meaning, an overflow of ceramics, collag...
Map-making, mark-making
To create "Blue Bridge," in "Night Blooms" at Lucy Lacoste Gallery, Lily Fein drew upon a map her grandfather's cousin made of their hometown in Poland
Ceramic artist Lily Fein layers and presses coils into vessels, pinching and massaging...
Would you kiss this toad? Or the emperor's ring?
"CITADEL" at Fall River Museum of Contemporary Art reflects on luck, walls, and power
A rusty old chain-link fence stretches up alongside my house. Sometimes I wonder if I should just take it out.
To show or not to show
Avital Sagalyn was an extraordinary painter, but she did not exhibit her work for decades. See it now in "Avital Sagalyn: Mid-Century Provincetown" at PAAM through Aug. 2.
Why does an artist choose not to exhibit?
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Authors
The writers behind this newsletter.
Witness, writer, performer, art critic, alchemist
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