
A place where you get a behind-the-scenes look at my journey as an illustrator, where I discuss my art process, and share my thoughts.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 54 | Subscribers | Read | charleneperuchi.substack.com |
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Recent posts by this newsletter. Browse the email archive.
During the first half of 2025, I was in an art block — but I didn’t notice. I thought art block meant producing nothing creative, yet I was being consistent here in the newsletter and making a sketch or two for the newsletter covers. So why...
When I first started thinking about illustrating seriously, I thought it would be faster and cheaper to learn digitally — after all, I wouldn’t need to buy a bunch of materials to experiment, only software (little did I know I’d end up buyi...
Have you noticed that your illustrations with backgrounds sometimes look visually “neat” but lifeless? There’s a reason for that—and a simple trick to fix it.
Studying composition is essential for anyone who wants to illustrate children’s books — like me. Through composition, we can create movement, convey emotions, show whether a place is big, far away, inhospitable, cold, full of elements, or e...
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The writers behind this newsletter.
Charlene Peruchi, a children's book illustrator and storyteller, based in Berlin. Love watching people and children interact, and being surrounded by nature.
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