
A place where you get a behind-the-scenes look at my journey as an illustrator, where I discuss my art process, and share my thoughts.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 57 | Subscribers | Read | charleneperuchi.substack.com |
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In the first text of this mini-series, we looked at the basic concepts of perspective and how to identify and draw scenes in one-point perspective. Now it’s time to add one more vanishing point so we can create more dynamic scenes.
Perspective used to seem complicated before I actually studied it. After all, I heard from some illustrators that it was difficult to understand. However, perhaps because I have a degree in physics and had to imagine geometric shapes in cal...
I used to think that drawing backgrounds was very complicated. But whenever I tried, I usually wasn’t using references. And often, the scenes in my illustrations lacked depth or didn’t have a good composition.
During the first half of 2025, I was in an art block — but I didn’t notice. I thought art block meant producing nothing creative, yet I was being consistent here in the newsletter and making a sketch or two for the newsletter covers. So why...
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The writers behind this newsletter.
Charlene Peruchi, a children's book illustrator and storyteller, based in Berlin. Love watching people and children interact, and being surrounded by nature.
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