
dance, in every form, every place and every medium
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 176 | Subscribers | Read | barbaranewman.substack.com |
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It was bound to happen, especially after the 1960s shattered so many established dance traditions. Out of the old conventions stepped the Trocks—formally Les Ballets Trockadero de Monte Carlo, a breakaway splinter of Trockadero Gloxinia—sen...
Before she was a choreographer, Pina Bausch was a dancer. Having graduated from the Folkwang-Hochschule in Essen, she studied at Juilliard in New York, where her teachers included Antony Tudor, Paul Taylor and José Limón. She danced for bot...
An old friend always said that he went to the opera for the music and to the ballet for dancing. Preferring opera, he devoted his holidays to keeping abreast of new stagings and gifted singers in the States, Canada, and Europe.
As the dance most people experience has grown bigger and flashier—in pop concerts, movies, advertising, and celebratory ceremonies—its expressive power has become almost incidental. That may explain why many who love dance tend to get snoot...
The writers behind this newsletter.
Writing about dance for 45 years, in my native New York and in London, I’ve covered everything from ballet to breakdancing and butoh.
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