Dancewatch
Barbara Newmandance, in every form, every place and every medium
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 188 | Founded | 4 years ago | Last Issue | 7 days ago |
| Active | |||||
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barbaranewman.substack.comLatest Issues
Still Pointless: BalletBoyz at 25
How long does a good idea last? Nearly 30 years ago, Michael Nunn and William Trevitt walked away from their jobs as principal dancers of the Royal Ballet to pursue a good idea. Neither of them was drawn to choreography or tempted to lead a...
Anne Teresa De Keersmaeker’s Il Cimento dell’Armonia e dell’Inventione
Anne Teresa De Keersmaeker never stops. Born in 1960 and trained at Maurice Béjart’s school Mudra in her native Brussels and then at New York University’s Tisch School of the Arts, in 1982 she established herself instantly on the contempora...
Rite of Spring + Mirror by Alexander Whitley
Over the course of a century, the attempt to choreograph Stravinsky’s Le Sacre du Printemps has become a rite of passage for dance makers, an Everest to climb and conquer if they can. When you hear the music, you can understand the intrinsi...
Seasoned
Every dancer can tell you about ageing. In 1982, Antoinette Sibley, Merle Park and Rudolf Nureyev danced the leading roles in Bournonville’s classroom confection, Konservatoriet, at the Royal Ballet. While catching their breath during the p...
Meryl Tankard
“When I engage a dancer,” Pina Bausch once said, “of course I hope to have found a good dancer, but otherwise it is something of an unknown. I just have this feeling that there is something I really want to know more about.”
The Australian...
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| Subscribers | Engagement | 69 | Monthly Web Visits | ||
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Authors
The writers behind this newsletter.
Writing about dance for 45 years, in my native New York and in London, I’ve covered everything from ballet to breakdancing and butoh.
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