Artwork for Dancewatch


Barbara Newman

dance, in every form, every place and every medium

PricingOnly free issuesPublishesWeekly

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Latest Issues

Recent posts by this newsletter. Browse the email archive.

Northern Ballet in Romeo and Juliet

To build an audience for his New York City Ballet, decades ago George Balanchine insisted on promoting ballet alone. Night after night the fledgling troupe danced programs of three or four unrelated works, announcing only their titles in ad...

8 days ago

May B by Maguy Marin

In total darkness, a baritone sings in German. As his voice fades, the light comes up onstage, very very slowly and in total silence. The figures that materialize out of the gloom look like ghosts—chalk or clay covers their faces and shapel...

13 days ago

Scottish Ballet in A Streetcar Named Desire

Just over a year ago, Scottish Ballet came to London with its provocative, digitally dense production of Coppélia (Dancewatch, March 7, 2023). The following month, the company toured Scotland with Annabelle Lopez Ochoa’s A Streetcar Named D...

20 days ago

Robert Wilson directs Mary Said What She Said

The American director Robert Wilson has been called everything from a genius to a fraud. Unpredictable and inexplicable, his theatrical artistry endows time with physical form in spectacular compositions that reinvent the experience of real...

a month ago


The writers behind this newsletter.

  • Barbara Newman

    Writing about dance for 45 years, in my native New York and in London, I’ve covered everything from ballet to breakdancing and butoh.

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