Dancewatch
Barbara Newmandance, in every form, every place and every medium
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 191 | Founded | 4 years ago | Last Issue | 8 days ago |
| Active | |||||
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barbaranewman.substack.comLatest Issues
Return to the Forest by Theatre-Rites and Gregory Maqoma
If the publicity for a children’s show contains the words “immersive” and “puppetry,” I’ll ordinarily turn it down. If, however, the show’s credits mention Gregory Maqoma, you couldn’t keep me away.
Known in his native South Africa as a da...
Dada Masilo’s Hamlet
Read it as a compliment: Dada Masilo’s extraordinary Hamlet is just like a prizefight. You can’t take your eyes off it for a minute, because every movement comes as a surprise, packing a carefully aimed punch that stuns you with its impact...
Northern Ballet’s Gentleman Jack
Until Northern Ballet invited Annabelle Lopez Ochoa to create a full-evening ballet about Anne Lister, I had never heard of her. Somehow I had missed not one but two television series about Ochoa’s feisty heroine—the first broadcast in 1994...
Still Pointless: BalletBoyz at 25
How long does a good idea last? Nearly 30 years ago, Michael Nunn and William Trevitt walked away from their jobs as principal dancers of the Royal Ballet to pursue a good idea. Neither of them was drawn to choreography or tempted to lead a...
Anne Teresa De Keersmaeker’s Il Cimento dell’Armonia e dell’Inventione
Anne Teresa De Keersmaeker never stops. Born in 1960 and trained at Maurice Béjart’s school Mudra in her native Brussels and then at New York University’s Tisch School of the Arts, in 1982 she established herself instantly on the contempora...
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| Subscribers | Engagement | 69 | Monthly Web Visits | ||
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Authors
The writers behind this newsletter.
Writing about dance for 45 years, in my native New York and in London, I’ve covered everything from ballet to breakdancing and butoh.
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