
dance, in every form, every place and every medium
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 194 | Founded | 4 years ago | Last Issue | 7 days ago |
| Active | |||||

Kenneth MacMillan and fairy tales make unlikely partners. I’ve been trying, without success, to recall a single ballet of his that requires classical tutus and the formal academic vocabulary they usually decorate. Yet in 1967 he produced a...
Sir Peter Wright is 100 years old. He was born the same year Frederick Ashton made his choreographic debut, the same year Ballet Rambert was established [Dancewatch, June 15, 2026], and his professional career has developed hand in hand wit...
Once upon a time, 100 years ago, a theatrical producer asked a young woman who was running a ballet school, “And what are you doing in your studio?” She answered, “We are working now on a little ballet for which [my husband] gave us an idea...
If the publicity for a children’s show contains the words “immersive” and “puppetry,” I’ll ordinarily turn it down. If, however, the show’s credits mention Gregory Maqoma, you couldn’t keep me away.
Known in his native South Africa as a da...
Read it as a compliment: Dada Masilo’s extraordinary Hamlet is just like a prizefight. You can’t take your eyes off it for a minute, because every movement comes as a surprise, packing a carefully aimed punch that stuns you with its impact...
Subscribers, engagement, traffic and sponsorship for Dancewatch.
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The writers behind this newsletter.
Writing about dance for 45 years, in my native New York and in London, I’ve covered everything from ballet to breakdancing and butoh.
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