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Eleanor’s Horrors

Eleanor Johnson

A series of essays about feminism and horror, literature and history, translation and transformation.

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Substack
PricingFreemiumPublishesWeekly
Issues179Founded3 years agoLast Issue4 days ago
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Latest Issues

Save us, Edward Scissorhands!

One of the best remakes of Frankenstein in American cinematic history is Tim Burton’s Edwards Scissorhands. This film, for those unfortunate enough not to have seen it, is about an artificially intelligent Creature, named Edward (Johnny Dep...

4 days ago
2
2

BONUS CONTENT ALERT! It’s time for…Eleanor’s B-List Favorites!

Hello, beautiful people. It’s time for a line-up of some of my favorite horror movies (plus one TV show and one novel) that might have slipped under your radar. I will have posts going live on each of these films over the course of the summ...

7 days ago
6
1

The Bride (2026), or the Learned Woman's Frankenstein

About two years ago, I was talking with my agent and editor about cutting-edge feminist horror, and they asked me what new feminist horrors I expected in the next few years. I said, “There’s going to be a feminist Frankenstein, maybe even a...

11 days ago
9

Ex Machina (2015): Or, Creator Beware

The closest AI-based remake of Shelley’s masterpiece is the 2015 film feminist anthem Ex Machina. In it, a deranged and abusive tech tycoon named Nathan (Oscar Isaac, who also plays Victor in Del Toro’s film)—the Victor of the modern day—is...

18 days ago
4

The Existential Horror of Her (2013): Or, When AI-Relationships Fail

The opening sequence of this film shows Theodore (Joachin Phoenix) dictating a letter, a love letter. Theodore is a professional ghost-writer of letters for other people, writing in a small cubicle, we realize, working for a company called...

25 days ago
8

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  • Eleanor Johnson

    I'm a professor of medieval culture, the history of horror, and feminism. I've published 5 books and have 2 more forthcoming. Scream with Me, about horror in the 1970s and 2020s, publishes this year. The other is top secret.

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