
Everything is clay. I write about the role of ceramics in our culture, history of ceramics, my glaze research and sometimes travels and inspiration. If you spent too much time looking at an amphora at the museum, you will be right at home here.
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 46 | Subscribers | Read | meshandcloth.substack.com |
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A quick note before we begin this week’s post. I am always incredibly thankful to read your feedback. Thank you for reaching out via email and sharing your stories and your journey to clay. While this Substack is focused on ceramics, you do...
Before delving into this week’s musing, I wanted to once again thank you for reading and for being part of my small community. When I started writing this newsletter, I thought I would be lucky to get to 100 subscribers. We are almost 1000!...
> You keep things that didn’t work because there might still be an idea to develop in the future […] You never know. I don’t really like to analyse the way I work. It’s a bit like going down the stairs: if you think about how you’re doing i...
> “I have created nothing really beautiful, really lasting, but if I can inspire one of these youngsters to develop their talent I know they possess, then my monument will be in their work”.1
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The writers behind this newsletter.
Ceramic artist based in Berlin. I write about ceramics, their role in history and culture.
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