
Greek tragedy is not a catalogue of sad tales about gods and heroes. They're complex stories of political and patriarchal oppression, generational trauma, knowledge won only through suffering, and the quest for identity and redemption.
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Photo by Jametlene Reskp on Unsplash
One of my kind readers suggested that I write about Artemis, the fierce virgin goddess who lent her name to the moon launch. I’ll do that eventually, when I introduce Euripides’ Hippolytus. The bastard...
Aristotle said that Oedipus the King was the most perfectly constructed play of all tragedy, but for me Antigone is equally powerful. It has everything that keeps a tragedy from becoming arthritic with age: the big emotions of grief, love,...
Tony Shalhoub in rehearsal for the role of Creon (credit: Joan Marcus)
Dear Readers,
You may have noticed that I’m a tad obsessed with Sophocles’ Antigone. And why not? It has everything: the big emotions of grief, love, rage and hatred;...
Painting “Antigone in front of the dead Polynices” by Nikiphoros Lytras (Wikimedia Commons/National Gallery of Athens)
Dear Readers,
Yesterday was the second anniversary of the murder of Russian opposition leader and political prisoner Al...
Ah, hubris, probably the best known of all Greek words except kudos (also Greek and not a plural noun, despite the final s). Remember when you were taught the myth of Icarus, probably as a child? It was the example par excellence of hubris:...
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The writers behind this newsletter.
Long-time professor obsessed with Greek tragedy, I write about the ancient stories that are startlingly personal, political, and relevant to our time. I teach mythology by singing 'Santa Claus is Coming to Town.' More at elizabethbobrick.com.
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