This Won't End Well: On Loving Greek Tragedy.
Elizabeth BobrickWhy do I love Greek tragedy? These mythical stories of war, familial trauma, and isolation illuminate the beauty and darkness of our shared humanity. They tell me something new every time I read them; retelling them here is my passion.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 16 | Subscribers | Read | elizabethbobrick.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
Sophocles’ Oedipus at Colonus: Dead Man Walking, Part III
As I wrote in my previous posts about this play, Colonus was (and is) a real place, not far from the Parthenon and the Theater of Dionysus. Sophocles himself was born there; the playwright at the end of his life wrote about a hero at the en...
Oedipus at Colonus: Dead Man Walking, Part II
As I wrote in my previous post, Sophocles wrote another, less famous play about the Theban king who killed his father and married his mother. Oedipus at Colonus is the story of the doomed hero’s last day on earth. His death was no ordinary ...
Oedipus at Colonus: Dead Man Walking
Sophocles’ Oedipus the King culminates in horrors. Oedipus has solved the riddle of his life. He now knows that he is the fulfillment of a prophecy: the son and murderer of King Laius, and both husband and son to Queen Jocasta, Laius’ widow...
Do Shakespeare's Tragic Heroes Have Tragic Flaws?
In an earlier post “Au Revoir, Tragic Flaw,” I wrote about a particularly tenacious cliché born of a mistranslation of an ancient Greek word. In his Poetics, Aristotle uses the word hamartia to identify the cause of the Greek tragic hero’s ...
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Authors
The writers behind this newsletter.
“This Won’t End Well” combines my two passions, Greek mythology and the personal/political essay. I’ll tell you the old stories and invite you to think about what they still have to tell us.
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