Fandom psychology, ethnography and history. Documenting the consecration and corporate exploitation of fandom, and contextualizing the rise of stans in our cultural ecosystem.
Platform | Substack | Pricing | Only free issues | Publishes | Weekly |
---|---|---|---|---|---|
Issues | 61 | Subscribers | Read | exiledfan.substack.com |
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One of my biggest pet peeves is seeing officially produced media described as “fan fiction.” By definition, as official releases and market commodities restricted by real world logistics and budgets, they cannot be fan fiction.
When Fall Out Boy received a Grammy nomination for Best New Artist in 2005, the fandom was up in arms. The lack of fourth wall was part of what had sustained the fandom, fuelled by bassist and frontman Pete Wentz’ Livejournal, his “secret” ...
Usually, the consequences of overinvested fans remain on the fringes, in the nooks and crannies of individual fandoms and fan bases, specific platforms serving as the proverbial teacups that contain the tempestuous meltdowns. This makes it ...
One of the most well known culture wars of the modern age is that of rock versus disco, and it’s one with a plentitude of examples of businesses and individuals stoking the flames for profit.
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The writers behind this newsletter.
Former stan and fandom native investigating the history of fandom and the rise of the stan. Heavy focus on corporate interference and the (d)evolution of fandom communities.
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