
What the fuck is a review even for? What can a review do? Let's find out. Expect interviews, experimental reviews, opinionated opinion pieces and long-form deep dives on theatre discourse, criticism and the like.
| Platform | Pricing | Only free issues | Publishes | Monthly | |
|---|---|---|---|---|---|
| Issues | 15 | Subscribers | Read | guywebster.substack.com |
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In 1984, then forty-four-year-old literary journal Meanjin published a special issue dedicated to Australian Theatre. In his editorial note for the issue, Jack Hibberd describes it ‘as the beginning of a collective documentation’ of dance, ...
If Narcissus was looking into the Mediterranean off the coast of Palermo, he wouldn’t be captivated by his own reflection but by the colour of the water; the ripples that catch the sun and make it dance. He’d die there, gawking; in love wit...
> MARK FISHER: ‘Is it an occupational hazard as a critic to lose friends?’
The writers behind this newsletter.
GUY WEBSTER is a theatre critic, dramaturg and academic based in Naarm. They write for Time Out Melbourne, Australian Arts Review, Limelight Arts, Australian Book Review and now this glorious Substack.
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