
Rhetorical thinking about photography. This newsletter will be irregular. Sometimes every day, sometimes once a month, following my need to write.
| Platform | Pricing | Only free issues | Publishes | Daily | |
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| Issues | 127 | Founded | 2 years ago | Last Issue | 6 days ago |
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The justification photographers reach for when defending raw files is technical: more latitude, recoverable highlights, adjustable white balance. Sound in principle, largely irrelevant in practice for photographers making personal work rath...
After mentioning this idea of somehow being able to authenticate the source of a photo, I’ve implemented and tested the idea. Here is an update on the project.
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Projects change. Photographs move from person to person, from tool to tool. A crime-scene photo passes from the investigator’s camera to a forensic analyst’s workstation to a prosecutor’s presentation software. A heritage digitisation trave...
The saying has earned its place through repetition: the best camera is the one you have with you. There's obvious sense in it, and a significant problem with it.
133 Nationale
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Gear Acquisition Syndrome operates on a simple mechanism: attributing the limitations in my work to the limitations of my tools. When I look at my photographs and feel dissatisfied, it’s easier to blame the camera than to blame my seeing, m...
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The writers behind this newsletter.
Amateur photographer. I started taking photography seriously in 2005 when the Canon 350D came out. A friend of mine had shown me his 300D and I fell in love with DSLRs.
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