
Rhetorical thinking about photography. This newsletter will be irregular. Sometimes every day, sometimes once a month, following my need to write.
| Platform | Pricing | Only free issues | Publishes | Daily | |
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| Issues | 134 | Founded | 2 years ago | Last Issue | 8 days ago |
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I stopped photographing for many years. Nothing dramatic happened; it was a slow fade. I’d go out with a camera, walk around, come back without a single frame worth keeping. Eventually I stopped going out at all. The problem wasn’t burnout...
Juliette wrote last week about Deadpan photography. I was intrigued because it’s a term I had seen start appearing all over the place lately and I wasn’t sure what it was. So I did a deep dive to understand for myself (unpublished on Substa...
The photography education industry runs on a specific kind of desperation. Browse Instagram or scroll through YouTube and you'll find an unending parade of people promising to unlock your potential, offering preset packs, weekend workshops,...
My view of Japan is cartoonish. It’s built almost entirely from exports and a European vantage point. When I watch how other countries portray France through their own exports, the caricature is cringeworthy, so it stands to reason mine wor...
For a while I assumed the relationship was simply doomed. Photography requires patience: you develop a project over months without knowing whether it’s working, improvement arrives slowly, the feedback loop runs on timescales that platform...
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The writers behind this newsletter.
Amateur photographer. I started taking photography seriously in 2005 when the Canon 350D came out. A friend of mine had shown me his 300D and I fell in love with DSLRs.
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