
Rhetorical thinking about photography. This newsletter will be irregular. Sometimes every day, sometimes once a month, following my need to write.
| Platform | Pricing | Only free issues | Publishes | Daily | |
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The standard advice for lens selection follows a simple formula: match the focal length to the genre. Portraits need 85mm or longer. Landscapes want 20mm or shorter. Street photography lives at 50mm. This reasoning isn’t entirely wrong, but...
There is no shortage of people eager to tech you photography online these days. There are probably many tens of thousands of videos on YT. Maybe millions of tutorials about everything touching photography. But the vast majority will be usel...
The justification photographers reach for when defending raw files is technical: more latitude, recoverable highlights, adjustable white balance. Sound in principle, largely irrelevant in practice for photographers making personal work rath...
After mentioning this idea of somehow being able to authenticate the source of a photo, I’ve implemented and tested the idea. Here is an update on the project.
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Projects change. Photographs move from person to person, from tool to tool. A crime-scene photo passes from the investigator’s camera to a forensic analyst’s workstation to a prosecutor’s presentation software. A heritage digitisation trave...
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The writers behind this newsletter.
Amateur photographer. I started taking photography seriously in 2005 when the Canon 350D came out. A friend of mine had shown me his 300D and I fell in love with DSLRs.
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