I may be wrong
CedricRhetorical thinking about photography. This newsletter will be irregular. Sometimes every day, sometimes once a month, following my need to write.
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 95 | Subscribers | Read | imaybewrongphoto.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
Live Photography is About Life
I can tell you exactly how I felt standing on a sand dune in Morocco many years ago, watching my wife photograph a sand dune through evening light. I remember the temperature, the angle of the sun, the smell of dust. I remember the specific...
How Photography Works In My Head #3: Why Some Photographers Can't Write About Their Work
Photography education and criticism privilege verbal articulation. You’re expected to be able to explain your work, discuss your influences, articulate your intentions, write artist statements. Grants and residencies require written proposa...
I Stole Every Photograph I've Ever Taken
Not legally, though we’ll get to the murky ethics of that. I mean conceptually, technically, aesthetically. Every image I’ve made is somewhere on a spectrum between homage and plagiarism, filtered through techniques I borrowed from photogra...
How Photography Works In My Head #2: The Visualisers and the Engineers
Ansel Adams talked about pre-visualisation as the foundation of his photographic method. He could see the final print before making the exposure, knowing exactly what the image would look like after development and printing. Not just approx...
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Authors
The writers behind this newsletter.
Amateur photographer. I started taking photography seriously in 2005 when the Canon 350D came out. A friend of mine had shown me his 300D and I fell in love with DSLRs.
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