
Observations, essays, and literary ephemera, from a diffusely overeducated book critic, former lit-mag editor, and relentless amateur.
| Platform | Pricing | Only free issues | Publishes | Monthly | |
|---|---|---|---|---|---|
| Issues | 18 | Subscribers | Read | marcoroth.substack.com |
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Dawn in Lisbon, almost a year since I arrived—an emigrant, an immigrant, an expat—whatever you want to call me—somewhat digital, not a nomad—and I'm having coffee with an old friend just landed from New York after a long, difficult journey....
I'm trying to read Jose Saramago's History of the Siege of Lisbon (in translation) and it's going terribly. For reasons I will try to figure out here, the great Portuguese novelist of the latter 20th century and I are just not getting along...
For the first time in a long time, as part of a larger essay I hope to someday write, I turned back to Proust. "Turning back" is a bit misleading because all I have with me here in Lisbon is the first volume of the old Vintage edition of C....
Harold Brodkey's "This Wild Darkness" found me at last, after many years of my successful ducking. It was at Mercer Street Books, my second-to-last day back in New York. I was following my own rule of used bookstore browsing—"what catches t...
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Literary critic and litterateur, self-actualizing subject of very late capitalism. Lives in Portugal.
De Monchaux, an architect and writer, teaches design at Columbia. His work appears in The New Yorker and n+1. His most recent book, with architect Deborah Berke, is TRANSFORM (Phaidon/Monacelli).
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