
Small bites about pop music, feminism, philosophy from music scholar and philosopher Robin James.
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|---|---|---|---|---|---|
| Issues | 97 | Subscribers | Read | itsherfactory.substack.com |
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In 2026, any take that uncritically treats “pop” as the low or mass culture term in a high/low or art/craft binary is a red herring designed to divert attention away from the fact that the political ontology that makes that aesthetic binary...
In The Sonic Episteme I wrote about how feminist new materialism says that it’s recouping philosophy’s unjustly excluded other (matter), but what it actually does is double-down on old hierarchies and exclusions by reframing them in new ter...
In 1996 the US passed the Telecommunications Act of 1996, which deregulated radio ownership and established section 230 (which basically allows social media to exist by making companies not liable for content third-party users post online),...
I have written a lot about the fact that contemporary American popular culture (note that’s 5 links to 5 pieces) is increasingly shifting away from the political ontology that subtends both Western Enlightenment aesthetics (what Ranciere ca...
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Writer, editor, philosopher. Author of THE FUTURE OF ROCK AND ROLL, THE SONIC EPISTEME, & RESILIENCE and MELANCHOLY. Working on a book theorizing vibes, acquiring scholarly books in philosophy, music/sound/audio media, and interpersonal comm.
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