
Playwright, filmmaker, academic, and cultural critic exploring faith, culture, and meaning beyond the usual scripts.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 40 | Subscribers | Read | jmcfire.substack.com |
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Recent posts by this newsletter. Browse the email archive.
A friend texted me over the weekend to say he had a spare ticket for a new play at the Royal Court Theatre. In the mood for a small gamble, I went along to see John Proctor is the Villain. This is the London premiere of Kimberly Belflower’s...
Does American Psycho need to be a musical? This, I would have thought, would have been the first question that occurred to the team of composer/lyricist Duncan Sheik and Roberto Aguirre-Sacasa as they set about adapting Bret Easton Ellis’s ...
I love vigilante films. I love them because they tell us something we do not like to hear. The gold standard remains Dirty Harry, in which Clint Eastwood’s professional cop ends up throwing away his badge after turning vigilante. I am also ...
Until now I have kept these theatre write-ups in Notes. They are substantial enough to merit their own space. They will appear here from time to time as short pieces of criticism - not essays, but serious engagements with what is happening ...
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Playwright, filmmaker, academic, and cultural critic exploring faith, culture, and meaning beyond the usual scripts.
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