Bankside Bumblings
Joules WhinstonInterdisciplinary dialogues on the current theatrical landscape. Part review, part interpretation, part contextualization, I seek to reflect on the prism of theatrics - language, history, performance, and their marriage into significance.
| Platform |  | Pricing | Only free issues |
|---|---|---|---|
| Publishes | Weekly | Issues | 7 |
| Subscribers | Read | jouleswhinston.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
'All's Well' and Knotty Comedies
Though All’s Well that Ends Well is, in Shakespeare’s First Folio, classified as a comedy, nowadays it’s better known as a ‘problem play’. But what exactly is the problem? Though broadly following the conventions of Shakespearean comedy–mar...
Coriolanus After November Fifth
In the first scene of Shakespeare’s All’s Well That Ends Well, Parolles remarks, “Virginity…by being ever kept…is / ever lost…” (1.1.133-5). Having this very month lost my National Theatre virginity at the deft hands of Lyndsey Turner’s Cor...
Anyone But You (2023)
Late last year, the cogs of the Hollywood machine churned out yet another highly anticipated Shakespeare retelling, this time based on the comedy Much Ado About Nothing. All Australia’s a stage, read the blueprint, and the men and women? Me...
Wherever You Go, There You Are
Note: I apologize for any awkwardness in the recording, I am just getting over a bout of sickness that has affected my voice. Nevertheless, please enjoy.
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Authors
The writers behind this newsletter.
Thespian and academic postgraduate at Shakespeare Centre London, commentating on and contextualizing our current theatrical landscape.
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