God help us lose our minds
Polly AleaI write about the structures we inhabit, the pressures we naturalize, and the quiet violences that shape contemporary life. A sociological reading of the everyday — from within late capitalism’s fractures.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 8 | Founded | 2 years ago | Last Issue | 3 months ago |
| Active | |||||
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kingpolly.substack.comLatest Issues
Girlboss dies in silence
Gone Girl (2014), dir. David Fincher
In the beginning, she was a girl who could be sold in hardcover. “Amazing Amy” - the heroine of a children’s book series - was a better version of the real Amy: smarter, more disciplined, more lovable....
Why nothing is happening and that's enough
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975), dir. Chantal Akerman
More and more often, I leave the cinema or turn off a film with the feeling that nothing really happened. No one achieved anything, there was no turning poin...
Choice Feminism Meets Rent
Frances Ha (2012), dir. Noah Baumbach
The decision comes as a thought “for yourself”: quit your job, move to another city, take a break, finally not have to. The language is ready - provided by self-help guides, Instagram, and feminism, wh...
You’re Not Interesting Enough
Aftersun (2022), dir. Charlotte Wells
In recent years, ordinary life has ceased to exist in cinema. Characters must be unique, broken, extreme, or at least “in the process.” A stable job, unspectacular relationships, and a lack of narra...
The world may end, but the system must go on
Don’t look up (2021), Adam McKay
I am always struck by how easily cinema imagines the end of the world and how consistently it avoids imagining the end of the system. The apocalypse returns obsessively to the screen - as the ruin of cities...
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