Notes On Film Development
Notes On Film DevelopmentFilm industry analysis and strategy from inside development. How studios actually make decisions, indie films get made, what gets made, and why. I’m a long time industry executive and writer. I worked for studios and indie. Noir fiction on the side.
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 12 | Subscribers | Read | leebyars.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
Warner Brothers Returning to 70’s Filmmaking Experiment
There is a very specific kind of confidence that only shows up in Hollywood when someone has already lived through multiple cycles of relevance and irrelevance and decides, almost stubbornly, to act as if taste can still bend the market. Mi...
Yorgos Lanthimos And The Business of Controlled Absurdity
There’s a persistent instinct in film culture to classify directors by temperament. Romantics, formalists, provocateurs, humanists. Yorgos Lanthimos resists that taxonomy because he isn’t really expressing temperament at all. He’s building ...
Is Adam Driver Poised To Become His Generation’ Great Actor Or Plateued?
Is Adam Driver about to own the next decade, or is he standing at the edge of a very strange plateau?
Who Actually Paid For This Year’s Oscar Movies? (And Why That Matters More Than The Winners, Or Let Me Explain Next Year’s Oscars To You) Yes It Does Sound Condescending
Every year we talk about actors, directors, and who “won” the Oscars. But the more revealing question is quieter. Who paid for these films to exist in the first place? Because if you follow the money, you don’t just see winners—you see what...
Authors
The writers behind this newsletter.
Film industry analysis and strategy from inside development. How studios actually make decisions, indie films get made, what gets made, and why. I’m a long time industry executive and writer. I worked for studios and indie. Noir fiction on the side.
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