Left on Reed
JacobBlogging through the keyboard works of J.S. Bach
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 51 | Subscribers | Read | leftonreed.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
BWV 848, 872 – Preludes and Fugues in C-sharp Major from The Well-Tempered Clavier
Another month, another Northwest Coast Native visual artist with a serious musical project. Nicholas Galanin (Tlingit) is surely one of the most visible Native artists today, with landmark works like Brooklyn Bridge Park’s enormous In every...
BWV 992 – Capriccio on the Departure of a Beloved "Brother"
Last month, I promised to dive into Khu.éex’ and their new album. (Have you listened to that Native America Calling episode yet?) I’ll be honest: I knew I was holding back a little bit on interesting things to know about this band, but I ha...
BWV 781, 784, 786, 785 – Two-Part Inventions, Part II
You’ve read plenty about indigenous rap, but how about a Navajo J Dilla? Or Kamasi Washington? Or maybe (split the difference) Thundercat? Welcome to the world of Earth Surface People, a Diné music collective whose new album Yáágo Dootliźh ...
BWV 975 – Concerto in G minor (after Vivaldi, “RV 316”)
I guess there’s no music more “Americana” than Native music. Or at least that’s how it should be. Two recent editions of the essential Indigenous in Music with Larry K had me thinking about the whole Americana genre complex, and it’s a long...
Authors
The writers behind this newsletter.
Organist/continuo/collaborative piano; music theorist. jacobreedorgan.com
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