Crafting Solidarity
Crafting SolidarityArtist Liane Al Ghusain writes up research on the intersection of Native American and Palestinian craft
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 3 | Subscribers | Read | lianeya.substack.com |
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Part I: How did Palestinian tatreez and Native American weaving + beadwork get industrialized by Christian missionaries and European tourists?
It’s hard to take craft projects on the road. Though I can read in a moving car without issue, embroidering makes me nauseous—never mind losing a dropped needle in a bumpy vehicle. Now imagine trying to carry your needles, threads, scissors...
What's colonization got to do with craft?
Before we get into the absolutely fascinating nitty gritty of materials, motifs, and histories of Native American and Palestinian American craft, I would like to lay a theoretical framework for this comparative study. Over the past few mont...
Crafting Solidarity: What *do* Native American and Palestinian crafts have in common?
I remember the first time I experienced Indigenous culture on Turtle Island (also known as the United States) in a meaningful, nuanced way—beyond the flat, jingoistic cartoons and offensive sports logos I had grown up seeing. I was 19, on a...
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Artist Liane Al Ghusain writes up research on the intersection of Native American and Palestinian craft
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