No Blueprint by Lady Laide
Lady Laide| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 6 | Founded | 2 months ago | Last Issue | 4 days ago |
| Active | |||||
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ladylaide.substack.comLatest Issues
Part 1: People Invest in People They Trust | Building Relationships in Hollywood and Nollywood
One thing I’m learning while building a global film studio is that talent alone is rarely enough.
Relationships matter. Trust matters. Community matters.
And honestly, many of the biggest opportunities in my life and career did not come s...
The Math Is Not Mathing | The Real Economics of Independent Filmmaking
The Math Is Not Mathing: The Real Economics of Filmmaking
If you’ve never heard the phrase “the math is not mathing,” it’s basically a funny way people describe situations where the numbers are not adding up the way people expect them to...
It’s an Emergency | Why We Can’t Afford to Delay Our Dreams Anymore
This week, I had an entirely different article planned. I was going to write about the behind-the-scenes world of filmmaking, specifically focusing on the real economics of how movies get made. I wanted to analyze why it is such a struggle...
Building Without Applause | The Quiet Reality of Building a Global Film Studio
One thing I’m learning as a filmmaker and entrepreneur is that not everything you do will be immediately celebrated.
Sometimes people don’t fully understand the vision yet. Sometimes the results take longer than expected. Sometimes you’re...
Nepotism, Privilege, and Access: Does Talent Still Matter Anymore?
What really happens when ambition, attraction, privilege, and pressure collide in the workplace?
Today’s professional world is evolving fast. Offices are no longer just places where people clock in and out. They are spaces where identity,...
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| Subscribers | Engagement | 65 | Monthly Web Visits | ||
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| Accepts Sponsors | Estimated Cost per Ad | ||||
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Authors
The writers behind this newsletter.
Filmmaker, producer, mom of twins, and builder across continents. I write about creating films with real stakes, the business behind the art, navigating life after reinvention, and the lessons that make it all make sense.
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