Occasional commentary on art and politics in the 21st Century.
Platform | ![]() | Pricing | Only free issues |
---|---|---|---|
Publishes | Monthly | Issues | 17 |
Subscribers | Read | gregorysholette.substack.com |
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Recent posts by this newsletter. Browse the email archive.
Many people will remember 2016 as the year global politics got weird. The UK began a sharp turn against neoliberal globalism via Brexit, and the U.S. elected a predatory, tax-evading, real estate speculator and TV entertainer as President o...
John Gast, American Progress, 1872, Oil on Canvas.
My father, Carol C. Sholette, sold automobile insurance door-to-door when I was a kid. A short, Mediterranean-looking man (French-Canadian American) with a likeable personality and soft-sell, he would come home exhausted to eat dinner befor...
> Neither labour nor art can be understood apart from their productive and reproductive role in capital. However, as social forms that have emerged from a contradictory development over the more than two centuries of capitalist modernity, e...
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The writers behind this newsletter.
Dr. Gregory Sholette is a NYC-based artist, writer, activist, author and co-founder of Social Practice CUNY as well as curator of Imaginary Archive, a collaborative project documenting a past whose future never arrived.
I’m a writer, visual activist and teacher. This project “The Week in White Sight” will be once a week in 2023 alongside the publication of my book “White Sight: Visual Politics and Practices of Whiteness” (MIT Press).
Erina Duganne is a teacher, writer, and curator. Her current book project looks at the solidarity practices of the short-lived 1984 activist campaign, Artists Call Against U.S. Intervention in Central America.
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