
A dispatch from the content vortex — where culture, cinema, and too much screen time blur into one man’s doomed attempt to make sense of it all.
| Platform | Pricing | Only free issues | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 71 | Subscribers | Read | unmarkedhelicopterkennelly.substack... |
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Mike Figgis entered American cinema as an elegant outsider: a British jazz trumpeter who drifted into filmmaking and approached narrative the way a musician approaches a standard—structure intact, but open to reinterpretation. After the noc...
If you were a huge fan of Baz Luhrmann’s Elvis like I was—one of the best entries in what’s become a thoroughly bastardized music-biopic industrial complex—then this feels like Christmas morning in a rhinestone-encrusted revival tent. It co...
The Criterion Collection is the greatest engine of film literacy we’ve ever had—better than film school, and I say that without hesitation. I’ve logged north of 10,000 movies in my lifetime (a flex or a cry for help, take your pick), and th...
If you want to start a bar fight with classic-Hollywood devotees, here’s a good opener: I’ll take Colorado Territory over High Sierra any day of the week. Yes, that High Sierra—the one that, alongside The Maltese Falcon, helped turn Humphre...
The writers behind this newsletter.
cultural carnivore; artist; filmmaker; Artistic Director of Highways Performance Space & Gallery and the pop-up Film Maudit (which he also co-founded)
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