I went to the movies and never woke up...
Patrick KennellyA dispatch from the content vortex — where culture, cinema, and too much screen time blur into one man’s doomed attempt to make sense of it all.
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 74 | Subscribers | Read | unmarkedhelicopterkennelly.substack... |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
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The influence of Alfred Hitchcock runs so deep through modern cinema that whole strains of filmmaking feel built from his blueprint—borrowed angles, voyeuristic setups, suspense that tightens like a slowly turning screw. Yet the knockoffs r...
BAD ACTING, REAL LIFE
The early films of Bruno Dumont—a former philosophy teacher and maker of industrial films who arrived in the late ‘90s with a string of Cannes-rattling provocations, including L’Humanité, which walked away with the Grand Prix to the vocal d...
Underrated Auteurs Index: JOEL SCHUMACHER—From Halston to The Batman Hollywood Never Forgave: On Queerness, Excess, and the Pop Filmmaker Who Understood That Surface Is Where the Feelings Live
In auteurist discussions and those of film canons, the Hollywood journeyman mostly comes up empty—empty, that is, unless he belongs to the classical studio era and can be posthumously anointed by Cahiers du Cinema, as a secret master smuggl...
Cinematic Orphans: INTERNAL AFFAIRS and ONE NIGHT STAND
Mike Figgis entered American cinema as an elegant outsider: a British jazz trumpeter who drifted into filmmaking and approached narrative the way a musician approaches a standard—structure intact, but open to reinterpretation. After the noc...
Authors
The writers behind this newsletter.
cultural carnivore; artist; filmmaker; Artistic Director of Highways Performance Space & Gallery and the pop-up Film Maudit (which he also co-founded)
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