Pedro Martínez
Pedro MartínezEconomista y analista del negocio musical. Exploro cómo se financia la música y por qué el directo es una de las economías más poderosas y menos transparentes del mundo cultural. La música no solo se escucha, también se entiende.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 19 | Subscribers | Read | pedromvega.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
Bienvenido al Berghain.
El Berghain no te debe una explicación. Haces cola. Esperas. Y cuando llega tu turno, el portero decide. Sin criterio visible, sin precio que garantice el acceso, sin VIP que valga. Esa incertidumbre —la posibilidad real de que te digan que...
La mutación silenciosa: Live Nation ya no es lo que crees que es.
El jueves 19 de febrero, Live Nation Entertainment publicó sus resultados anuales. Los titulares contaron lo de siempre: ingresos récord, 159 millones de fans, crecimiento a doble dígito. Music Business Worldwide, Pollstar y Benzinga cubrie...
219 festivales, 4 dueños, y un agujero de €8.000 millones.
A principios de febrero, Live DMA y Reset! Network publicaron algo que la industria llevaba años sospechando pero nadie se había molestado en cartografiar: un mapeo exhaustivo de quién posee qué en los festivales europeos. El resultado, aun...
Bad Bunny en la Super Bowl no es un hito cultural. Es un hito económico.
Anoche, Bad Bunny actuó en el escenario más visto del planeta. Casi 13 minutos cantando mayoritariamente en español delante de más de 125 millones de espectadores solo en EE. UU. Con Lady Gaga saliendo a cantar salsa. Con Ricky Martin. Con ...
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Economista y analista del negocio musical. Exploro cómo se financia la música y por qué el directo es una de las economías más poderosas y menos transparentes del mundo cultural. La música no solo se escucha, también se entiende.
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