
Economista y analista del negocio musical. Exploro cómo se financia la música y por qué el directo es una de las economías más poderosas y menos transparentes del mundo cultural. La música no solo se escucha, también se entiende.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 25 | Subscribers | Read | pedromvega.substack.com |
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El primer párrafo de la carta de Klaus-Peter Schulenberg a los accionistas de 2025 empieza como siempre: con el hito más reciente. Por primera vez en su historia, CTS Eventim ha superado los 3.000 millones de euros en ingresos. La frase est...
El jueves pasado, la APM presentó su Anuario de la Música en Vivo 2026 y los medios hicieron lo de siempre: titular el récord, nombrar a Sabina, mencionar a Aitana. Todo correcto. Pero hay una historia mucho más grande escondida en esos mis...
El debate sobre las subvenciones a la cultura en España lleva décadas atrapado en la pregunta equivocada. Todo el mundo discute cuánto le cuesta la música al Estado. Casi nadie calcula cuánto devuelve.
Hay una práctica que todo el mundo en la industria conoce y casi nadie nombra en público. Un promotor anuncia sold out. La sala tiene aforo para dos mil personas, pero la configuración escogida es para setecientas. El resto del hueco lo cub...
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Economista y analista del negocio musical. Exploro cómo se financia la música y por qué el directo es una de las economías más poderosas y menos transparentes del mundo cultural. La música no solo se escucha, también se entiende.
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