
Economista y analista del negocio musical. Exploro cómo se financia la música y por qué el directo es una de las economías más poderosas y menos transparentes del mundo cultural. La música no solo se escucha, también se entiende.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 27 | Subscribers | Read | pedromvega.substack.com |
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Disclosure. El autor mantiene una relación profesional con Live Nation. Este artículo se apoya solo en fuentes públicas —sentencias, filings ante la SEC, comunicados oficiales, literatura académica y cobertura de medios contrastados— y resp...
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El primer párrafo de la carta de Klaus-Peter Schulenberg a los accionistas de 2025 empieza como siempre: con el hito más reciente. Por primera vez en su historia, CTS Eventim ha superado los 3.000 millones de euros en ingresos. La frase est...
El jueves pasado, la APM presentó su Anuario de la Música en Vivo 2026 y los medios hicieron lo de siempre: titular el récord, nombrar a Sabina, mencionar a Aitana. Todo correcto. Pero hay una historia mucho más grande escondida en esos mis...
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Economista y analista del negocio musical. Exploro cómo se financia la música y por qué el directo es una de las economías más poderosas y menos transparentes del mundo cultural. La música no solo se escucha, también se entiende.
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