
Feminist deconstruction of intellectual property, women's history, and cultural economics.
| Platform | Pricing | Only free issues | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 39 | Founded | 4 years ago | Last Issue | 5 days ago |
| Active | |||||

I had so many feelings this week. My clients had so many feelings. Their counterparties had Big Feelings. My friends and family — my open, confrontational beloveds — had opinions about all of it. Basically, I've been beaten with a feelings...
“Mom, is this guy an architect?”
I caught my daughter’s eyes in the reflection of my vanity mirror, her forehead pinched with worry.
“No love, he’s a friend! A work friend.”
The pucker between her brows deepened. “Dunno, Mom. Seems like...
A brilliant analysis of the manosphere, Rich Face and the visibility economy, the Met Gala as symptom of civilizational decline, weaving and code, coverture’s exceptions, Dorothy Sayers on women’s humanity, and whether Tupac Shakur is actua...
Last week, I introduced Jaron Lanier’s distinction between aware and sterile appropriation — the idea that the meaningful question isn’t whether an artist borrows, but whether she bothers to understand where the borrowed material came from...
This Wednesday, I’ll be in conversation with Alaina Crystal of The Coven in the Corner Office. Alaina’s work sits at the intersection of witchcraft, professional life, and the particular exhaustion of being a high-achieving woman who looked...
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The writers behind this newsletter.
I write about IP law, feminist history, and who owns creative work.
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