Mainlining cinema from 1966-1980.
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When John Osborne’s incendiary Look Back in Anger hit the Royal Court stage in 1956, it repulsed those middle-class theatregoers used to the traditional “well-made play” and inspired a sea change in working class (or lower middle-class) rep...
(As with the previous post, I’m trying to avoid giving too much away here, but may still allude to stuff that could be considered spoilery. If you’re in any doubt, go see the movie first. It’s currently featured as part of the Criterion Cha...
(SPOILER WARNING: I will be discussing the plots of both Sleuth and Deathtrap, which may involve some spoilers. If you haven’t already seen them, I strongly recommend going in as blind as possible. You won’t regret it.)
Michael Cimino was an outsider from the start. After making his bones in New York with several high-profile TV commercials1, he moved to Hollywood, rocking up with a Rolls-Royce and a burning ambition to direct. But he wasn’t a typical movi...
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