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William CollenArt theory and criticism from a Christian aesthetician
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ruins.blogLatest Issues
Monstrously unambiguous
Allow me, please, to assault your eyes with ugly art made by robots. I assure you that it won’t take long, and though the aesthetic sting will hurt, the pain will dissipate as quickly as that of your annual flu shot. Remember American Gothi...
RUINS adds a "give me money" option and births some sort of child; or, notes on my summer projects
Hail, friends! As always, it’s a privilege to write to you in this fashion, a privilege for which I’m immensely thankful. As a small recompense to my army of loyal followers—and since I have nothing written at the moment that’s worth publis...
The Carnival is Over (Dead Can Dance, 1993)
Pablo Picasso, Family of Saltimbanques. 1904.
Dead Can Dance’s Into the Labyrinth is a messy record. Sprawling all over and lacking focus, it displays unflatteringly the differences between the songwriting styles of Lisa Gerrard and Bre...
Frames
1: HEARD AT A MAGIC SHOW
And now, ladies and gentlemen, and children of all ages! Prepare to be amazed, astounded, shocked, and stupefied by my next illusion—the Chinese Mystery Box! Never in your life will you have been so surprised...
Miscellany #10: Winter '26
It’s been a while since I did one of these miscellanies so there are more items in this one than usual. In general, I’m finding it hard to find time to work on this blog. It seems I’m in the midst of a very busy season of life which, hopefu...
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Art critic based in Omaha, Nebraska.
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