Fragments and Frequencies by Seth Metoyer
Seth MetoyerExploring the creative process through music, writing, and industry insights with exclusive content and behind-the-scenes access.
| Platform |  | Pricing | Freemium | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 157 | Subscribers | Read | sethmetoyer.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
Why Wes Anderson Leaves Me Cold
There is a reason some people live inside Wes Anderson films as if they have found a second home. There is also a reason others stand outside those same films, hands in pockets, unmoved by the symmetry, untouched by the whimsy, waiting for ...
The Shape of Evil: Why The Exorcist III Endures
The Exorcist III remains my favorite horror film because it treats horror as a vehicle for serious thought. William Peter Blatty understood that fear reaches its deepest form when it touches the permanent questions: the nature of evil, the ...
Echoes, Horror, and Heavy Riffs: A Deep Dive with Seth Metoyer
*This interview was originally published on Metal Digest. Since the site is no longer active, I wanted to share it somewhere else so people can still find it. Enjoy!
Red Clover: On Letting a Film Stand
Last night, Shannon and I sat across from one another at dinner, doing what has become a familiar ritual over the years, talking through films as if they were shared experiences rather than distant works. Some conversations drift toward the...
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Authors
The writers behind this newsletter.
Writer, producer, and founder of Broken Curfew Records. Alum of Sony Music and Metal Digest. I write on music, faith, and philosophy, with detours into art, film, and culture. Assistant Editor at Heaven’s Metal Magazine.
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