
What's haunting underneath the poems? Weekly prompts and short essays on poetry
| Platform | Pricing | Only free issues | Publishes | Weekly | |
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| Issues | 54 | Founded | a year ago | Last Issue | 10 days ago |
| Active | |||||

Vincent van Gogh, “View of Paris”, oil on canvas, 1886.
I’m in France this week to give a craft lecture at NYU Paris on the poetics of interruption. I’ve become obsessed with interruption, partly because it is so inevitable, and because it...
Andrew Wyeth, Master Bedroom, watercolor, 1965
Far and away the most fascinating part of teaching poetry at Juilliard has been discovering just how much of artistic practice overlaps across disciplines and genres. My students come in not k...
Frederic Edwin Church, Twilight, A Sketch, 1858, oil on canvas, Olana Historic Site
Lyric poetry can be challenging to love. When it’s beautiful, it beckons you closer, makes you want to touch it, embrace it, but ultimately, it’s a bit lik...
Edward Hopper, City Roofs, oil on canvas, 1932 (The Whitney Museum of American Art)
It is, again, the longest day of the year, which always reminds me of my favorite Sharon Olds poem.
Someone once told me—with more than a hint of derisio...
The hardest skill in poetry to teach is voice—that sum of all stylistic decisions: tone, pace, syntax, confidence, diction, authority, etc. that collectively create the gestalt of the poem, the thing that makes you trust it and want to keep...
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The writers behind this newsletter.
Poet from Virginia. Yale Younger Poets Prize & Kate Tufts Discovery Award. Poems in American Poetry Review, The Atlantic, Poetry, The Nation etc. I teach poetry at Juilliard, Bennington, Brooklyn Poets & Poets House.
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