
working out what makes great shots great || Edited by @stuwillis & @melkillingsworth || Presented by @draft_zero
| Platform | Pricing | Only free issues | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 430 | Founded | 3 years ago | Last Issue | 6 days ago |
| Active | |||||

Spike Lee knows how to block a tense sequence, whether in city streets on a broiling summer day, or in a suburban living room as two people drink tea as a third person creeps in, unbeknownst to one of the others.
This scene from his remake...
Week 26.22 posts include shots from Babe (1995); True Blood (2008-2014); Gravity Falls (2012-2016); An Education (2009); and Legendary Place (2018).
We did a breakdown of every shot in this title sequence, which also includ...
Rack focusing looks cool, draws attention from one place / object / character to another, and can put us into a characters’ point of view; we explore all these this week through our daily socials shot analyses.
But what effect can it have...
On the new Draft Zero episode, Stu and Chas and I talked about using clues and signs in your work.
I touched on how Shrinking’s pilot “Coin Flip” uses water imagery throughout. You can listen for the rundown in chronological order, but he...
Last week we looked at posing characters in front of items or background to create icons.
Week 26.21 posts are all about frames which recreate paintings or statues with the way they pose characters, and include shots from But I’m a Cheerl...
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The writers behind this newsletter.
working out what makes great shots work
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