
working out what makes great shots great || Edited by @stuwillis & @melkillingsworth || Presented by @draft_zero
| Platform | Pricing | Only free issues | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 466 | Founded | 3 years ago | Last Issue | 6 days ago |
| Active | |||||

Here’s five of our favourite shots from Douglas Sirk’s faintly noir-tinged melodrama about a bunch of airplane stunt fliers and mechanics, and the reporter who falls in love with one of a triad of them.
Near the start...
We’ve looked at mirrors which show the whole picture, sometimes in multiples. But in Week 26.34 we look at ones which fracture or distort the reflections, including shots from A Man’s Neck (1933); The Apartment (1960); Point Blank (1967) Th...
Frasier is an unusual sitcom, architecturally speaking.
The main set of Frasier’s living room has a split-level design; his home has no staircases (such as The Nanny), but does possess a balcony more seen than used (like Friends), while do...
Week 26.33 posts include shots from The City of the Dead (1960); New York, New York (1977); Sunshine (2007); Five Fingers for Marseilles (2017); and Taskmaster (2015-current).
This South African neo-West...
When writing a script, you pick pertinent character details to exposit: grizzled or baby-faced, 26 or 62, stubborn or cowardly, bald or brunette, short or Elizabeth Debickian.
When characters appear on screen, some attributes are immediate...
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The writers behind this newsletter.
working out what makes great shots work
I make and write about TV and movies.
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