
For when something feels off, and you can't explain why. 25 years painting for film, chasing escapades, detours, and epiphanies around the world—following what didn’t make sense until it did. Off course, on purpose. Hop in the sidecar. We ride at dawn.
| Platform | Pricing | Freemium | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 225 | Founded | 3 years ago | Last Issue | 10 days ago |
| Active | |||||

What if the way we work through things isn't a problem but a solution?
For a long time, I have carried the quiet suspicion that I am doing my life wrong.
On collecting objects, memories, and the parts of ourselves we leave behind
I’ve always believed the world speaks in artifacts. Or at least, my memory does. I don’t know why I feel the need to document my entire life artistically. I must h...
I painted arrows on a parking garage floor at Pittsburgh International Airport. Why? Because I was the paint charge for a Netflix show and they asked for it.
I didn’t paint it with paint, exactly. It was a heavy-grade adhesive—basically a...
A behind-the-scenes look at scenic painting for film, from The Chair to transforming real spaces, and the art of making temporary worlds feel permanent.
As the charge scenic painter on the Netflix series The Chair, I got to use my entire t...
A scenic artist reflects on working in film and visiting Meow Wolf, exploring the difference between temporary sets and immersive art built to endure.
There’s a moment when you realize you’re not experiencing something the way everyone els...
Subscribers, engagement, traffic and sponsorship for Skewed North by Jolene Dames.
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The writers behind this newsletter.
I didn’t lose my way— I started without one. I painted worlds for film. This is what I found instead.
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