
Musings about the Dead and their music. The shows always speak for themselves, but I'll add comments on their contexts, sonic quality, and other points of interest.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 123 | Subscribers | Read | zencowpoke.substack.com |
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1978 was full of messy and brilliant Grateful Dead performances. On some nights you got both, on others the pendulum swung to either extreme. The April 16th Huntington show was one of those evenings where the stars aligned in a bright, nota...
In March of ‘69, the Grateful Dead were primarily focused on finishing the Aoxomoxoa album at Pacific Recording in San Mateo. That being so, their performances were confined to easy weekend trips, which allowed them to make a little cash wh...
Nestled in between the renowned February Port Chester shows (that bade adieu to Mickey Hart) and the historic Fillmore East run in late April, March of ’71 had everything going against it. Barely any tapes of the March gigs circulate, with ...
The Grateful Dead had a productive 1970 in the studio, recording two albums—Workingman's Dead in February/March at Pacific High Recording, and American Beauty in August/September at Wally Heider's. It was also the year they regularly introd...
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Special Ed teacher/Garciaphile/Home chef/Zen sitter/Analog aficionado/Haiku builder/Semi-retired psychonaut
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