Musings about the Dead and their music. The shows always speak for themselves, but I'll add comments on their contexts, sonic quality, and other points of interest.
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The Grateful Dead’s January of ‘70 schedule was fairly packed with a dozen shows that began with two nights at the Fillmore East, and culminated in a booking to play the opening weekend of a brand-new New Orleans Tchoupitoulas Street club c...
In October of ‘74, the Dead retired from performing after a five-night stand at Winterland. The following January, they met at Bob Weir’s home recording studio to start laying down the tracks for what would become Blues for Allah. Outtakes ...
In the fall of 1969, Stuart Green, a law-school dropout from New Jersey, purchased an erstwhile dancehall in the Capitol Hill neighborhood of Denver. Mammoth Gardens first opened in 1907 as a skating rink and, over the years, served as a ma...
The fall of 1968 was an interesting time for the Grateful Dead. In September, they had their infamous meeting, in which Bob Weir and Pigpen were either threatened with being fired or fired, depending on which version you believe. Despite th...
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Special Ed teacher/Garciaphile/Home chef/Zen sitter/Analog aficionado/Haiku builder/Semi-retired psychonaut
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