
Being creative professionally already came with existential dread - we didn't NEED *gestures wildly at everything* on top! Luckily, TV writer James Hamilton has ideas on how to fix the industry. Which box did he put them in again?
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There’s a metaphor I like to use when describing how to deal with bad notes writers might be given by execs or readers: it’s like you’re a doctor, and a patient comes in and says, with absolute conviction, “I want you to give me a lobotomy”...
#### tl;dr: “Motive, Means and Opportunity” is now “Stupid Idea Box” - new direction, same dimwit.
Hello, Dummy Devotees (and/or general fans of my writing!)
I’ve been struggling to find the motivation to write new things for a few months now. In trying to diagnose why , I landed on a particular reason why it might feel particularly difficult for screenwriters to create their own new work right ...
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The writers behind this newsletter.
Wordclown. Londoner lurking in LA. Head Writer of Jentry Chau Vs The Underworld (Netflix) and Dogs In Space (Netflix). Creator of award winning horror-comedy-mock-doc series Murder for Dummies (watch free - murderfordummies.com).
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