The Bass Line
Ulkar AghayevaMusings about music and more
| Platform |  | Pricing | Only free issues |
|---|---|---|---|
| Publishes | Weekly | Issues | 13 |
| Subscribers | Read | ulkaraghayeva.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
Epiphany in music
The emotional landscape of music is a terrain no less variegated, scenic and wondrous than the one we walk on. It has its valleys and mountain ranges, wellsprings and oceans, cliffs and waves splashing beneath them. Sometimes you walk off s...
Climbing Mount Mugham
Chances are you’ve heard Azerbaijani mugham without being aware of it. The soundtrack of Stalker (1979) is based in part on the mugham Bayati-Shiraz performed on tar, a plucked string instrument with a characteristic metallic sound.
Harmonic and textural modes of listening
Complexity in music can manifest itself in many ways. One way to look at it is horizontal vs vertical: how a piece develops over time, as a narrative, vs what the discernible textural layers are. These two kinds of complexity map, albeit no...
English melancholy and its Bards. Part 2
My entry point to the music of the English Renaissance was Glenn Gould’s recordings of a few pieces by William Byrd and Orlando Gibbons. It was an entirely new soundworld to me, one of strange harmonies and stately elegance. I had to invest...
Authors
The writers behind this newsletter.
economics of science @dartmouth | https://www.ulkaraghayeva.com
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