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The Bass Line

Ulkar Aghayeva

Musings about music and more

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Substack
PricingOnly free issuesPublishesWeekly
Issues16Founded2 years agoLast Issue5 months ago
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Latest Issues

Reflections on the Kodály cello sonata

As the last, weighty and low, sound of cello melted into the air and decayed, we remained in a state of reverie, mesmerized and almost stupefied. What had just happened?.. The very air in the room felt electrified. With our ears still awash...

5 months ago
23
8

Music as a power maintaining and upending social order

This post is based on a talk I gave at Fractal NYC on 8/10/25.

The idea of putting together this talk came to me as I was thinking about two readings on social history of music that initially seemed at odds with each other. I want to lay o...

10 months ago
18

Music in Shakespeare

Shakespeare plays are full of music. It is in the texture of the language itself, in its dulcet flow that is so enchanting both to recite and listen to. It is, more literally, in the songs the characters sing and dance to. Much has been wri...

a year ago
10
6

Epiphany in music

The emotional landscape of music is a terrain no less variegated, scenic and wondrous than the one we walk on. It has its valleys and mountain ranges, wellsprings and oceans, cliffs and waves splashing beneath them. Sometimes you walk off s...

a year ago
8
9

Climbing Mount Mugham

Chances are you’ve heard Azerbaijani mugham without being aware of it. The soundtrack of Stalker (1979) is based in part on the mugham Bayati-Shiraz performed on tar, a plucked string instrument with a characteristic metallic sound.

In the...

a year ago
8

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  • Ulkar Aghayeva

    writing about biology, science history and music | https://www.ulkaraghayeva.com

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