The Classic Film Experience
Mark EndersA discussion about what has made cinema great through exploring the history of key elements - picture palaces, movie posters and the production houses
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 147 | Subscribers | Read | markenders.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
Giving films a second look
We’ve all been wrong about a film at one time or another, which is a good argument for watching films more than once.
Who was Bogie?
In the past I’ve covered books on film identities, whether they be directors, producers, actors or writers, or people who took on a combination of roles. With the most high profile, the most recognisable, and often the most loved (or hated)...
I'm an outlier too
I’ve written recently about film analysis, and some of the outliers when it comes to interpretation. One reason for focusing on outliers is that when it comes to one film, I’m an outlier too. The Castle is a film that I detest, while being ...
The fine line between crazy and cogent
Film is clearly a political medium. Roman Polanski had to jump through ideological hoops to please the Polish government who funded his first feature film Knife in the Water. During the second world war film was a key source of useful propa...
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Authors
The writers behind this newsletter.
I've been deeply involved in film, in one shape or form, since I fell in love with the medium at the age of 16. I've written for film, and I write about film.
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