The Dreaded Word
Jesse RelkinBook reviews and thoughts on art and — the dreaded word — content
| Platform |  | Pricing | Only free issues | Publishes | Monthly |
|---|---|---|---|---|---|
| Issues | 42 | Founded | 5 years ago | Last Issue | 8 days ago |
| Active | |||||
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thedreadedword.substack.comLatest Issues
Reading Diary: Well, I Declare, It Was a #SouthernSummer
I’ve been writing reviews for a few other places, but I didn’t want to leave you empty-handed, so I’m giving you a peek at my Reading Diary. It’s very private, but I’ll let you read it anyway as long as you promise not to tell anyone what’s...
Ephemerama #1: Killer Clowns and the Miracle of the Internet
The only social media video that has had any practical value of any kind to me in my life is called, in the manner of long-winded search-optimized titles, “On the set of It (2017), Bill Skarsgård—who brought the terrifying Pennywise to life...
The Art-Content Matrix
After wrapping up some other writing projects, I’m excited to return to my essay collection, which I initially talked about here. So far I’ve discussed How Social Media Is Killing the Essay (part 1 and part 2), and while I have more to say...
The Case for Dimes Square
Another piece of mine ran earlier this week—this time in The Republic of Letters, who asked me to make the case for the Dimes Square literary scene as part of their Debates series.
Last year, I picked up (and also put down) a number of Dim...
The Banality of Fascism: From Hollywood to Nazi Germany
I’ve had the pleasure of writing a couple pieces for other publications recently. One of them—a review of Daniel Kehlmann’s The Director—was published earlier this week at The Metropolitan Review. I’ve included an excerpt below. You can rea...
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