The Imprecision of Memory: Musical DNA.
Gilly Ann Hanner., Matt HannafinHistory and happenings, memories and events. Sounds and words: the warp and weft of musical references and inspiration that becomes the fabric of a sound, an album, a band. (with audio links)
| Platform |  | Pricing | Only free issues | Publishes | Monthly |
|---|---|---|---|---|---|
| Issues | 9 | Subscribers | Read | gillyannhanner.substack.com |
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EXTRADITION SPECIAL EVENT: PHILIP CORNER FILM SCREENING + MUZIK
## EXTRADITION SPECIAL EVENT:PHILIP CORNER FILM SCREENING + MUZIK
Join my new subscriber chat
Today I’m announcing a brand new addition to my Substack publication: The Imprecision of Memory: Musical DNA. subscriber chat.
EXTRADITION SUMMER CONCERT
This ensemble is an important part of the arts community in Portland that I have recently been able to perform with. I am not performing at this concert, but will be attending and hope you will check it out! If you want a taste of the kinds...
Jennie C. Jones’ “Score Against Sustained Ideas (Getragen)” performance
> Jennie C. Jones’ “Score Against Sustained Ideas (Getragen)” (2011), performed by Annie Gilbert (trombone), Reed Wallsmith (alto sax), Ben Cohen-Chen (tenor sax), Stephanie Lavon Trotter (piano), Sam Klapper (violin), Collin Oldham (cello)...
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Authors
The writers behind this newsletter.
Elderpunk. Musician Mama Writer. Improvisational composer, guitarist, bassist, weirdo, singer Calamity Jane, Braille Stars, DESÍR, No. 2, et all.
I'm a writer, editor, and musician based in Portland, OR. My writing focuses on sustainability; my editing runs the gamut from history to business to etcetera; and I’m artistic director and percussionist for Portland's Extradition Ensemble.
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