The Left-Hand Path
Joseph DwyerFilm criticism about art, cult, and horror cinema.
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 107 | Founded | 3 years ago | Last Issue | 13 days ago |
| Active | |||||
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lefthandpath.substack.comLatest Issues
cinephile bibliography
This post is for the film nerds who are always looking for something to read.
Originally I was going to publish this bibliography of recommendations at the end of an essay I am working on about my influences and critical framework. Then I...
Chekhov's AR-15
The title character of the new movie Our Hero, Balthazar is a rich, teenaged sociopath who manipulates people on social media with tear-filled, emotionally charged monologues. One day while playing a dead body in a high school active shoote...
The United States of Laura Palmer
It feels blasphemous to try to categorize David Lynch’s work. He was never one to explain the meaning behind his unusual, dreamy choices, and trying to fit them into a post mortem taxonomy is a foolish task. His filmography is one of the mo...
No Exit and other plays
While looking for something to watch at the multiplex on a recent weekday afternoon, I found three movies that seemed remotely interesting. One was put out by A24, the second from Blumhouse, and the third by Neon. I went with Neon release s...
Fulci’s Cosmic, Sadean Surrealism
When considering filmmakers who align with Surrealist art and Weird fiction, there are few so committed to these influences than Lucio Fulci. He is a controversial figure who is occasionally accused of nihilism, misogyny, and a downright or...
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Authors
The writers behind this newsletter.
Film writer from Rhode Island who focuses on issues of desire, debauchery, and dissent. Focuses on cult, horror, and art cinema. Print work includes video/essays for Imprint, Radiance, Second Sight, and Severin distribution labels and more!
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