Seeing Films and Culture in a Different Light
Platform | Substack | Pricing | Only free issues | Publishes | Weekly |
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Issues | 109 | Subscribers | Read | eminamelonic.substack.com |
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In his 2019 book, White, Bret Easton Ellis reflects on his childhood of carelessness and strangely fluid movement through the grittiness of existence. Images are often the most powerful entrance into the unknown, a fragile line between inno...
I don’t like to write. It doesn’t give me much pleasure. My attention span tends to be short. If I’m writing in a room that’s filled with books, I’ll quickly become distracted. I suppose they call this ADHD but let’s not distract ourselves ...
Howard Hawks’ 1952 “Monkey Business” was the last collaboration between the director and Cary Grant. Unfortunately, neither Hawks nor Grant liked the film very much. Compared to his other screwball comedies, Hawks thought it didn’t live up ...
For the inaugural post in FRIDAY FRAMES, I’ve chosen one of my favorite films, F for Fake, Orson Welles’ 1975 masterpiece. Welles, always the cinematic innovator, essentially starts a new genre of filmmaking: a film essay of sorts. Even so,...
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The writers behind this newsletter.
Writer. Book and Film Critic. Adjunct Fellow in Center for American Greatness.
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