
Sometimes, the last song says everything. Essays on the greatest (and not so great) album closers. How they’re made, what they mean, and why endings stick.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 331 | Founded | 5 years ago | Last Issue | 9 days ago |
| Active | |||||

By the time the listener has got to the end of All Things Must Pass, they have certainly travelled a long way. George Harrison’s first proper solo album1 is a triple, one of the first in rock, two discs of dammed-up songs finally bursting o...
If you don’t remember the summer of 2001, you might be surprised that, for all the coverage of The Strokes and their debut record, Is This It, it was actually two people, not in skinny jeans but plain white and red t-shirts and trousers, wh...
On Thursday evening, I was in an enormous terracotta blancmange in West London to see a band from the past warn of the future, much as they have been doing for the last 50 years. The Royal Albert Hall is the least computational venue in Lon...
Across the thirty-odd minute run time of Surfer Rosa, Pixies’ debut album proper, Black Francis, the lyricist and vocalist, is not one for understatement and subtlety. Carnal relationships are incestuous, faces and bodies are severed, mutil...
The first sound on ‘Green Eyes’ is a surface hiss. A crackle like the muffled warmth of an old ‘78. The recording trying to trick you into thinking it has been waiting in a shoebox for seventy years. Erykah Badu and her producers, mostly Qu...
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The writers behind this newsletter.
I write a blog dedicated to the final track on an album.
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