The Run Out Grooves
Mitchell StirlingSometimes, the last song says everything. Essays on the greatest (and not so great) album closers. How they’re made, what they mean, and why endings stick.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 334 | Founded | 5 years ago | Last Issue | 9 days ago |
| Active | |||||
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I'd like to teach the world to sing in perfect...
In 1971, an advertising man named Bill Backer was grounded by fog at Shannon airport and watched a departure gate of miffed and stranded passengers slowly simmer down over bottles of Coca-Cola. The pitch he scribbled became the Hilltop adve...
20 years on that hill
PJ Harvey spent her first two decades flitting between deep personas like a method actor, arriving with each record as somebody new. From an avenging jilted lover of Rid of Me, the swamp preacher of To Bring You My Love, the loved-up New Yo...
Oh Manchester, so much to answer for
For a band who would become the eternal misanthropes of UK indie, the debut by The Smiths spends most of its length sounding happy to have a place in the world. It is all jangle and swoon and wit and romantic longing, Johnny Marr's guitar r...
(The Pope mumbles something in Latin) Sure, that’s easy for you to say! But you’re over there…yeah, I know…and...
By the time the listener has got to the end of All Things Must Pass, they have certainly travelled a long way. George Harrison’s first proper solo album1 is a triple, one of the first in rock, two discs of dammed-up songs finally bursting o...
But now
If you don’t remember the summer of 2001, you might be surprised that, for all the coverage of The Strokes and their debut record, Is This It, it was actually two people, not in skinny jeans but plain white and red t-shirts and trousers, wh...
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I write a blog dedicated to the final track on an album.
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