
Sometimes, the last song says everything. Essays on the greatest (and not so great) album closers. How they’re made, what they mean, and why endings stick.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 340 | Founded | 5 years ago | Last Issue | 9 days ago |
| Active | |||||

The Run Out Grooves Readers’ Poll returns, and this time it’s the 2000s
Hello, there’s no Sunday essay from me this week as I’m in Scotland with my family. Instead, a couple of announcements and one request for you, dear reader.
In Octobe...
Last week parts of Europe got a total eclipse, or a decent partial one. Some people ignored the advice about looking directly at it and spent the rest of the day with sore eyes and the sun still burning behind their eyelids. In Summer 2024,...
If you were sitting watching British TV in spring 2012, you might have caught an advert for the Volkswagen Polo in the breaks during A Place in the Sun or Come Dine with Me that felt familiar. We see a father raising his daughter, condensed...
Björk’s second proper1 solo album is a fidgety record. It refuses to sit still, constantly glitching nervously or adding an industrial throb. Take the opener, 'Army of Me'; all menace and threat. 'It's Oh So Quiet', the single and MTV hit,...
I’m quite lucky that I’m not sick very often, and I’ve never taken days off school or work,1 that sort of thing. What I do know is that when I am sick, I am not much use to myself or others. When I was in my first year at university, I had...
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The writers behind this newsletter.
I write a blog dedicated to the final track on an album.
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