
The Tkaronto Gesture名称取自The Shanghai Gesture 后者由影像学者 Homay King 提出,用以揭示西方通过肤浅的文化符号来构建“神秘的东方”,而非真实的亚洲经验。“Tkaronto”——在莫霍克语中意为“树立于水中的地方”——旨在一方面批判东方主义对亚洲文化符号的滥用,另一方面重申多伦多的在地性与原住民、移民的历史。希望通过新一代华语讲述者的跨文化视角,借助电影、戏剧、文学等艺术形式,呈现真实的亚洲经验,并对当下广泛的社会议题进行深入的观察与剖析。
| Platform | Pricing | Only free issues | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 28 | Subscribers | Read | thetkarontogesture.substack.com |
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在黑暗中用两个半小时
第29届多伦多Reel Asian国际电影节于2025年11月15日落下帷幕。
这是我此行温哥华电影节的最后一场电影,傍晚的场次,橙粉色的落日一点点褪去,街灯刚亮,空气有股温哥华雨季的潮意。那一刻我意识到:吉姆·贾木许 (Jim Jarmusch) 的电影可能最适合在这样的时间看,既不属于白昼的清醒,也不属于深夜的孤独,而是那种模糊、半透明的时分,正如他镜头下的人际关系。
《生息之地》(Living the Land) 是我本人从年初就一直期待的片子;也属实没想到它的北美首映竟然选在了温哥华电影节(在此再次对于今年多伦多电影节表达不满),这也是我此行专程来温哥华最想看的片子。
The writers behind this newsletter.
An online journal dedicated to the cross-cultural perspectives of a new generation of Chinese-language storytellers. We aim to center Asian experiences and offer in-depth reflections on film, theatre, literature, and other artistic forms.
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