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Matthew Franklin Cooper, Tom Karlfinn Peaceworth'There is none who understands or seeks God. All have turned aside; together they have become useless.' (Romans 3:11-12) This Substack is a continuation (sort of) of the blog The Heavy Anglophile Orthodox, but with an emphasis on Scripture and poetry.
| Platform |  | Pricing | Freemium | Publishes | Daily |
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| Issues | 256 | Founded | 2 years ago | Last Issue | 4 days ago |
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skeireins.substack.comLatest Issues
Put them out to pasture
Иов и его друзья, by Il’ya Repin (1869, oil on canvas)
The Book of Job is an ingenious trap. Structurally, it’s a cutting parodic takedown of the genre of the Socratic dialogue that makes Aristophanes’ The Clouds look downright tame by com...
Literature as al-Quddus
Why only the literary ‘call’ preserves sacrality
When we face the Scriptures, what we approach is a text. That is to say, in the most basic terms, that we are reading words, organised by their grammar into sentences, themselves sequentiall...
Tend to the roots
Philological rigour as the ‘one thing needful’
Ignatius Julianovich Krachkovskii (1883-1951) is one of the major influences on my philological work in Chinese, Syriac and Arabic. We Orthodox Christians get misty-eyed when we speak of the C...
读着阿来和扎西达娃
探索现代性和传统断裂的不同方法
上个月我开始想读一些藏族作家为本地藏族读者创作的文学作品。可惜的是，这类作品的英文译本非常少。但我还是找到了阿来的小说《尘埃落定》以及扎西达娃的短篇小说选集《系在皮绳结上的魂》的英译本。这两本书展现出两种截然不同的写作风格，带给读者完全不同的阅读体验，然而这两位作家所关注的核心议题以及他们所提出的问题，却有着深层的共通之处。
My kingdom for a horse
Sir Ian McKellen in Richard III (1995)
Richard III’s (in)famous line at the end of his eponymous play, ‘A horse, a horse, my kingdom for a horse!’ is delivered in the Bard of Avon’s highly-fictionalised portrayal of the Battle of Bosworth...
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Authors
The writers behind this newsletter.
Matthew Franklin Cooper is a research fellow with the Simone Weil Center. He teaches social sciences in the public school system in Minnesota, and develops curriculum for use in Eastern Orthodox churches in the United States.
Just another culture critic and commentator with Pittsburgh roots.
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