Wesley Goatley
Speculative near-future sonic fiction about the fall of AI, alongside critical reflections on AI's contemporary presence in culture and art practice.
| Platform |  | Pricing | Only free issues | Publishes | Infrequently |
|---|---|---|---|---|---|
| Issues | 20 | Founded | 3 years ago | Last Issue | 4 months ago |
| Active | |||||
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wesleygoatley.substack.comLatest Issues
#18: The Horizon
This is the second of three posts on my recent artwork The Harbinger, The Horizon, and The Hope, a work in three parts that proposes three different near-futures for our relationship to AI tools and computational culture.
This post is...
#17: The Harbinger
My new artwork ‘The Harbinger, The Horizon, and The Hope’ (commissioned and funded by BRAID and the Arts and Humanities Research Council) just closed after its exhibition at the Edinburgh Festival. It’s an artwork in three devices, each...
#16: A Harbinger, A Horizon, and A Hope
This year I’ve been working on a new commission for the Bridging Responsible AI Divides (BRAID) programme, an AHRC-funded arts and humanities project headed up by Shannon Vallor and Ewa Luger. That commission is called ‘A Harbinger, A H...
#15: Critical Climate Computing
“When the water shortages hit, it forced the shutdown of the data centers that the AI systems were run on. It was such an energy-intensive industry that the average-sized data center used as much water in a day as an average-sized town, all...
#14: AI Will Only Die When Capitalism Does
“That final A.I. summer had burned so brightly, and for so much longer than the ones before. In the previous A.I. summers, those times when A.I. had captured the public imagination and that of the militaries who funded it, the A.I. salesmen...
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The writers behind this newsletter.
I'm an artist researcher and academic, exploring Artificial Intelligence technologies and their relations to society, geopolitics, and the climate crisis, and how art practice can intervene and explore these tools and topics.
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