Wesley Goatley
Wesley GoatleySpeculative near-future sonic fiction about the fall of AI, alongside critical reflections on AI's contemporary presence in culture and art practice.
| Platform |  | Pricing | Only free issues | Publishes | Infrequently |
|---|---|---|---|---|---|
| Issues | 20 | Subscribers | Read | wesleygoatley.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
#18: The Horizon
# This is the second of three posts on my recent artwork The Harbinger, The Horizon, and The Hope, a work in three parts that proposes three different near-futures for our relationship to AI tools and computational culture.
#17: The Harbinger
## My new artwork ‘The Harbinger, The Horizon, and The Hope’ (commissioned and funded by BRAID and the Arts and Humanities Research Council) just closed after its exhibition at the Edinburgh Festival. It’s an artwork in three devices, each ...
#16: A Harbinger, A Horizon, and A Hope
### This year I’ve been working on a new commission for the Bridging Responsible AI Divides (BRAID) programme, an AHRC-funded arts and humanities project headed up by Shannon Vallor and Ewa Luger. That commission is called ‘A Harbinger, A H...
#15: Critical Climate Computing
“When the water shortages hit, it forced the shutdown of the data centers that the AI systems were run on. It was such an energy-intensive industry that the average-sized data center used as much water in a day as an average-sized town, all...
Authors
The writers behind this newsletter.
I'm an artist researcher and academic, exploring Artificial Intelligence technologies and their relations to society, geopolitics, and the climate crisis, and how art practice can intervene and explore these tools and topics.
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