Wesley Goatley
Speculative near-future sonic fiction about the fall of AI, alongside critical reflections on AI's contemporary presence in culture and art practice.
| Platform |  | Pricing | Only free issues | Publishes | Infrequently |
|---|---|---|---|---|---|
| Issues | 22 | Founded | 3 years ago | Last Issue | a month ago |
| Active | |||||
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wesleygoatley.substack.comLatest Issues
#20: Sex, Delusion, and AI-Enshittification (on Reddit)
Recently I’ve been looking into online groups and forums that are dedicated to using or discussing different aspects of AI beyond the mainstream, to get a sense of how these technologies are being understood across the Internet.
One of t...
#19: The Hope
This is the third post of three about The Harbinger, The Horizon, and The Hope, a recent artwork of mine exploring plausible near futures for our relationship with AI and contemporary capitalism. It covers the final device in the series,...
#18: The Horizon
This is the second of three posts on my recent artwork The Harbinger, The Horizon, and The Hope, a work in three parts that proposes three different near-futures for our relationship to AI tools and computational culture.
This post is...
#17: The Harbinger
My new artwork ‘The Harbinger, The Horizon, and The Hope’ (commissioned and funded by BRAID and the Arts and Humanities Research Council) just closed after its exhibition at the Edinburgh Festival. It’s an artwork in three devices, each...
#16: A Harbinger, A Horizon, and A Hope
This year I’ve been working on a new commission for the Bridging Responsible AI Divides (BRAID) programme, an AHRC-funded arts and humanities project headed up by Shannon Vallor and Ewa Luger. That commission is called ‘A Harbinger, A H...
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The writers behind this newsletter.
I'm an artist researcher and academic, exploring Artificial Intelligence technologies and their relations to society, geopolitics, and the climate crisis, and how art practice can intervene and explore these tools and topics.
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