
A behind-the-scenes look at designing and painting heraldry in traditional media—from rough pencil sketches to finished emblazonments. Materials, techniques, and practical lessons for anyone learning the craft.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 6 | Subscribers | Read | woodheraldry.substack.com |
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Recent posts by this newsletter. Browse the email archive.
A heraldic colleague and friend told me once that I was the worst case of imposter syndrome he’d ever seen. I have never been wholly satisfied with my work, and at one stage in my life to the point of thinking it was altogether no good. But...
Painting a second coat of shell gold onto this achievement so that it really shines once burnished. If you enjoy watching paint dry, this is for you!
“It has been said that the quality of an heraldic painting can be judged by its mantling. It is the hardest part of the achievement to design, draw, and paint successfully…” —Anthony Wood, Heraldic Art & Design
In a recent article we explored the Frisian eagle, and went over the process of going from a concept to a rough sketch to finally transferring a finalized sketch to the working piece. In this article we will go over my process for painting ...
The writers behind this newsletter.
A behind-the-scenes look at designing and painting heraldry in traditional media—from rough pencil sketches to finished emblazonments. Materials, techniques, and practical lessons for anyone learning the craft.
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