Christian life, thought, history and culture through the lens of the first 1200 years of sacred art.
| Platform |  | Pricing | Freemium | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 350 | Founded | 5 years ago | Last Issue | 12 days ago |
| Active | |||||
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Leonardo da Vinci: the superlative Naturalist
The Grammar of Sacred Art Part 2 - form and shadow
Painting without line
Byzantine & Medieval Art Isn't Supposed to Look "Real"
I spend a good deal of time just looking at images from the Christian tradition, and I’ve been thinking a great deal lately about their structure, how they actually work to create an image that “speaks” particular truths to a properly dispo...
Movement Without Motion: Line in Medieval Art
Part 1 of The Grammar of Sacred Art
What makes a Romanesque painting Romanesque?
The Christology of the Stairs: Medieval Raised Sanctuaries vs. Modern "Worship Spaces"
The elevated altars of Umbria and Tuscany
Nave of San Miniato al Monte (1062), Florence.
Visitors to the medieval churches of Umbria and Tuscany are often surprised by an architectural feature that is found surviving in great abundan...
The Man, the Ox, the Lion and the Eagle
The "Tetramorphs" and six-winged seraphim, in Christian art
Biblically accurate angels
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Authors
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Retired from 11 years reporting on Catholic/political issues, painting and writing about faith, art, history and culture, why the Renaissance is Bad, why you're probably wrong about Byzantine art, and why we are going to be OK. Really.
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