Sacred art was the visual language of Christian civilisation for twelve centuries. Join us as we explore its theology, history, meaning and practice.
| Platform |  | Pricing | Freemium | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 356 | Founded | 5 years ago | Last Issue | 3 days ago |
| Active | |||||
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Repost: Erase images; erase a people
St. Theodore the Studite, one of the contemporary opponents of Iconoclasm
Editor’s Note:
Nearly two years after first publishing this essay on the history, theology and politics involved in the Iconoclastic Crisis, I’v...
Postcard: Narrative icons
Byzantine - stories in the round
One of the most useful distinctions made by people who analyse art is between an image that simply presents something, and an image that tells a story. A portrait of a king, a still life of a bowl of f...
Line and Form in Siena; a brief perfect balance
Part 5 of Grammar of Sacred Art
Where we left off: Line, Shape, Value and Form
Why are they green?
Medieval painting techniques show complete mastery of colour theory
If you’ve ever looked closely at a medieval painting and thought the faces looked strangely green, you’re not imagining it.
Painters Swimming Against the Renaissance
The Grammar of Sacred Art Part 4: Lorenzo Monaco and Pinturicchio
Last month, we started a systematic examination of the development of western art using the lens of what artists and art writers call “the elements of art,” the seven compon...
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Authors
The writers behind this newsletter.
Retired from 11 years reporting on Catholic/political issues, painting and writing about faith, art, history and culture, why the Renaissance is Bad, why you're probably wrong about Byzantine art, and why we are going to be OK. Really.
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