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Artwork for The Sacred Images Project

The Sacred Images Project

Hilary White
Hundreds of paid subscribers

Sacred art was the visual language of Christian civilisation for twelve centuries. Join us as we explore its theology, history, meaning and practice.

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Substack
PricingFreemiumPublishesTwice weekly
Issues379Founded5 years agoLast Issue5 days ago
Active

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Artwork for The Sacred Images Project

Latest Issues

Creativity is a skill you develop

How to practice iconographic drawing, a look at the treasures of the Etruscan museum... plus donkeys!

This is a Repost, but significantly expanded: About a year ago, I was able to visit the famous Etruscan museum in Tarquinia, a beautiful...

5 days ago
8
Paid

Repost: From Naturalism to Transhumanism

How our bad metaphysics have led us to the edge of the abyss

Repost: from “Man the measure of all things” to engineered human obsolecence

7 days ago
13
Paid

“But That Would Take Years!” - Icon Painting Begins With Drawing

A fully rendered preparatory drawing, graphite (pencil) on paper. The purpose is to create a reference for your painting, including the exact value scale (darks and lights that create the illusion of three dimensionality). Everything left a...

10 days ago
28
6

Repost: No, Man is not "the measure of all things"

Repost: a path to human replacement

Lately we all know that the news is full of talk about “superintelligent” AI. All this seems to be failing to take into account the philosophical - metaphysical - presuppositions it all comes out of...

12 days ago
35
5

Does the West have an authentic iconographic tradition?

A perfect example of a western rendition of a traditional Byzantine “Hodegetria” iconographic prototype. Our Lady of Częstochowa, painted in the 14th c. Regular readers will immediately recognise its blending of Byzantine and western styles...

16 days ago
50
49

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  • Hilary White

    Retired from 11 years reporting on Catholic/political issues, now painting and writing from the green heart of Italy about faith, art, history & culture, why the Renaissance is Bad, and why we are going to be OK. Really.

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