
J.S. Bach explained — analysis, Baroque history, counterpoint & performance practice. For listeners who want to understand what they're hearing (with a nod to Shakespeare now and then...) "Thank Bach for God."
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 204 | Founded | 3 years ago | Last Issue | 7 days ago |
| Active | |||||

We reach the last note in The Well-Tempered Clavier, B natural. To this point, Bach has climbed chromatically from C, visiting both minor and major modes in every half step, and before the stunning finale in b minor, Bach writes a somewhat...
“While the c# minor fugue awakens the conception of a mighty cathedral, the two numbers in b-flat minor may be likened to artistically wrought side-chapel’s vaults, in which things most precious are kept.”
—Busoni’s remarks on BWV 867....
César Vallejo (1892-1938) is one of my favorite poets. To define his style is difficult: one doesn’t understand his poems so much as one absorbs them. His words— seemingly impenetrable— have a sense to them which gnaws and tugs at dormant p...
It’s thrilling to look at the music of Bach’s predecessors. We see the very shape of Bach to come (I say, referencing my own album…) In several of Buxtehude’s works, we find this texture:
Bach tossed the trick into his bag for later deploy...
Perhaps before composing the bulk of The Well-Tempered Clavier, Bach had been challenging himself to create a fugue with real technical daring. This fugue, in a minor BWV 865, represents some of the composer’s most ambitious fugal writing....
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Guiding the world through a contrapuntal journey. Thank Bach for God.
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