J.S. Bach explained — analysis, Baroque history, counterpoint & performance practice. For listeners who want to understand what they're hearing (with a nod to Shakespeare now and then...) "Thank Bach for God."
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 206 | Founded | 3 years ago | Last Issue | 8 days ago |
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137: Special Guest! Peter Wollny
Last December, I spoke with Peter Wollny, one of today’s most important Bach scholars. We discuss how one becomes a Bach scholar, what it’s like to be in close proximity with Bach’s handwritten manuscripts, using watermarks within the paper...
136: Bach's 12-Tone Fugue (WTC Finale!)
(Fear not the length of this episode: the last 25 minutes or so are three different playings of the piece.)
Having written a prelude and fugue in every possible key, having created a single temperament for all of those pieces, having stret...
135: H Major! The Final Major (And Tuning It...)
We reach the last note in The Well-Tempered Clavier, B natural. To this point, Bach has climbed chromatically from C, visiting both minor and major modes in every half step, and before the stunning finale in b minor, Bach writes a somewhat...
134: 5 Flats, 5 Voices: Bach in B-flat Minor
“While the c# minor fugue awakens the conception of a mighty cathedral, the two numbers in b-flat minor may be likened to artistically wrought side-chapel’s vaults, in which things most precious are kept.”
—Busoni’s remarks on BWV 867....
133: ¿Por qué César Vallejo?
César Vallejo (1892-1938) is one of my favorite poets. To define his style is difficult: one doesn’t understand his poems so much as one absorbs them. His words— seemingly impenetrable— have a sense to them which gnaws and tugs at dormant p...
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Guiding the world through a contrapuntal journey. Thank Bach for God.
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