
我想跟你聊在黑盒子劇場以外,我們看到的世界。
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|---|---|---|---|---|---|
| Issues | 158 | Subscribers | Read | theblackdog.tw |
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趁著農曆假期,我與著家人一起去沖繩家族旅行。這是一個跟團的四天三夜行程,在旅程中我對沖繩湧起越來越多的疑惑。才剛下飛機,我們就在往旅館的路上看見一艘超級大的灰色軍艦。導遊指著那艘船、再指旁邊的圍牆,告訴我們那些全部都是美軍基地。同時,軍用直升機也從天空上穿過。
你可以想像一個偷臭納粹的脫口秀影片,一堆德國人在留言區會怎麼說嗎?
終於要過年了!今年的農曆年來得晚,直到二月中才放年假。在一月底的時候,有一種已經連續工作13個月的錯覺。
2025 一整年,烏犬幾乎是馬不停蹄地有各種演出和活動,每一項最終都順利地和夥伴一起完成了!
The writers behind this newsletter.
輔現任「烏犬劇場」團長/編劇/武術指導。 武術師承長洪武術陳江山教練與台大武學謝君韜教練,擅長北拳、南拳、太極拳,並對拳擊與巴西柔術等近代格鬥運動有深入的研究。劇場的編劇創作風格,擅長以荒謬、看似離題卻冷血的黑色幽默,來刻畫隱藏現實社會底下各種矛盾與離奇的現象;在身體美學的面向,自2018年起開始注入武術鍛鍊進到烏犬劇場的表演體系,在傳統與現代武術之間找尋表演者在舞台上的「立足」之地。
輔仁大學心理系畢業,現任「烏犬劇場」藝術總監/導演。 演出超過40部戲劇或舞蹈作品、執導10餘部劇場作品的彭子玲,本身具有扎實的心理學訓練背景與豐富多元的劇場跨界經驗。 在劇場創作中,擅長刻畫人在社會結構裡的被擠壓的精神狀態,並刻畫兩者(人與社會)之間如何相互影響的關係。其作品風格以精煉的身體語言、濃縮現實元素的舞台行動框架,來建構能並存「超現實」與「心理寫實」的劇場美學。
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