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烏犬排練間

王少君, 彭子玲

我想跟你聊在黑盒子劇場以外,我們看到的世界。

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Substack
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Latest Issues

Recent posts by this newsletter. Browse the email archive.

「烏犬排練間」第一百六十四期:使用AI與愛的魔法一起設計的兒童節特別活動

今年的兒童節,即將八歲的小脉給我們出了一個題目。

6 days ago
2
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「烏犬排練間」第一百六十二期:1949—時代的切線

子玲最近又買了一堆書。為了讓我放下手機好好閱讀,總是會在沙發旁放幾本書。在前天,我剛寫完金山高中的劇本,隨手拿起一本《逃離中國:現代臺灣的創傷、記憶與認同》(下稱《逃離中國》)。沒想到就這樣陷進去好幾個小時一口氣讀完!雖然是論文,但讀起來一點都不覺得生澀。因為我一直想起我的爺爺奶奶跟我說過的故事。

20 days ago
1
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「烏犬排練間」第一百六十一期:阿正的成年禮

各位有看過日本綜藝節目《校園封神榜》(年代感湧現) 嗎?裡面其中一個單元是「未成年主張」,安排學生站在學校的頂樓,不透過麥克風直接用嗓子大聲對全校師生喊出自己的心裡話。就是那種決心滿滿的嘶吼,讓人瞬間意識到:啊,這是必須認真對待的告白。

a month ago
1
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  • 王少君

    輔現任「烏犬劇場」團長/編劇/武術指導。 武術師承長洪武術陳江山教練與台大武學謝君韜教練,擅長北拳、南拳、太極拳,並對拳擊與巴西柔術等近代格鬥運動有深入的研究。劇場的編劇創作風格,擅長以荒謬、看似離題卻冷血的黑色幽默,來刻畫隱藏現實社會底下各種矛盾與離奇的現象;在身體美學的面向,自2018年起開始注入武術鍛鍊進到烏犬劇場的表演體系,在傳統與現代武術之間找尋表演者在舞台上的「立足」之地。

  • 彭子玲

    輔仁大學心理系畢業,現任「烏犬劇場」藝術總監/導演。 演出超過40部戲劇或舞蹈作品、執導10餘部劇場作品的彭子玲,本身具有扎實的心理學訓練背景與豐富多元的劇場跨界經驗。 在劇場創作中,擅長刻畫人在社會結構裡的被擠壓的精神狀態,並刻畫兩者(人與社會)之間如何相互影響的關係。其作品風格以精煉的身體語言、濃縮現實元素的舞台行動框架,來建構能並存「超現實」與「心理寫實」的劇場美學。

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