
250 articles of 250 words on a 25 frames per second medium.
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The key to magic realism is to render episodes of naturalism and fantasy so completely in order to prevent the fiction from becoming muddled. This is an approach that Jean Cocteau exhibits in BEAUTY & THE BEAST from the outset. The titles a...
The lost distinction between work and leisure has been an abiding feature of industrial capitalism for the past century. Those who create fictional media are still fascinated by the subject, probably due in no small part to its continuing r...
By the middle of the twentieth century, enough time had passed since the advent of cinema for the medium to begin re-examining its own history through its own outlets, and it seems as if Hollywood hasn’t stopped making movies about making m...
DOUBLE INDEMNITY is by no means the only film made in the era of classical Hollywood cinema that uncovers a moral vacuum at the center of post-war America. Billy Wilder’s quintessential film noir may be the one that depicts this with the mo...
The seeds of the erotic thriller are in the original wave of film noir. So many of the former are remakes – official or otherwise – of the latter. They carry over the fetishization and commodification of desire, the interplay of male and fe...
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The writers behind this newsletter.
I write about film, television, and literature. I am the co-host of The Everything Sequel Podcast. I am an actor, playwright, and theatre producer working out of San Diego, California. I used to be a university lecturer and media studies scholar.
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