250 Frames
Tom Steward250 articles of 250 words on a 25 frames per second medium.
| Platform |  | Pricing | Only free issues | Publishes | Daily |
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American Graffiti
It is ironic that one of the architects of blockbuster cinema should have directed one of his only other films about the minutiae of a non-event. In AMERICAN GRAFFITI, George Lucas portrays a country in the early sixties trapped in a time l...
Ed Wood
As American independent cinema became its own genre in the nineties, so did the independent meta-movie, which tied the pursuit of an alternative lifestyle to the process of making films in the US outside the studio system. ED WOOD is certai...
Boogie Nights
If not handled correctly, magic realism can be easily mistaken for sloppy storytelling. A capitulation into fantasy from a naturalist framework became a trademark of Paul Thomas Anderson’s filmmaking after MAGNOLIA but in BOOGIE NIGHTS it h...
The Royal Tenenbaums
It is tempting to look back at the early work of directors who have become arch baroque pastiches of themselves in the past few decades and see it as the beginning of the end. This applies most to two different directors called Anderson. Le...
Shadow Of A Doubt
If OUR TOWN was a validation of the small town way of life, then by the time writer Thornton Wilder got around to penning SHADOW OF A DOUBT, he either had a massive change of heart or simply happened to be working with Alfred Hitchcock, who...
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Authors
The writers behind this newsletter.
I write about film, television, and literature. I am the co-host of The Everything Sequel Podcast. I am an actor, playwright, and theatre producer working out of San Diego, California. I used to be a university lecturer and media studies scholar.
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