
250 articles of 250 words on a 25 frames per second medium.
| Platform | Pricing | Only free issues | Publishes | Daily | |
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| Issues | 82 | Founded | 6 months ago | Last Issue | 6 days ago |
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The glorious contradiction at the heart of CinemaScope is the granting of a living canvas for free-flowing naturalism while at the same time providing sumptuous spectacle. No film in existence has ever ridden this line better and more beaut...
Studio films made under the Production Code about romance and sex were fraught with representational difficulties. In THE CLOCK, Vincente Minnelli leans into expressions of the unsaid as a guiding principle of storytelling. There are the or...
Some films are difficult to separate from their standing and reputation in film history. For decades after its release, CITIZEN KANE was often canonized as the greatest American film of all time and perhaps still would be, if the system of...
One of the most successful examples of world-building on film is not about creating a coherent fictional universe, as you might suspect, but rendering an existing reality in the fullest fashion possible. Robert Altman populates each frame o...
With such an exposition-forward title and concept and high-concept murder mystery hook, you would expect SHOCK CORRIDOR to have something going on beneath the surface, if for no other reason than its auteur Samuel Fuller. If anything, the f...
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The writers behind this newsletter.
I write about film, television, and literature. I am the co-host of The Everything Sequel Podcast. I am an actor, playwright, and theatre producer working out of San Diego, California. I used to be a university lecturer and media studies scholar.
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