
250 articles of 250 words on a 25 frames per second medium.
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There is not a more compelling argument against the death penalty made by the most progressive of liberals – which we can safely assume the people involved in making this film are not – than there is in HANG ‘EM HIGH. The message hits harde...
Creating and maintaining a diorama of worlds within worlds inside a film is extremely difficult for a director to achieve without getting lost in the process. Wes Anderson has certainly had this problem in many of his films but not RUSHMORE...
Posing as an anti-crime morality tale during an era of strict censorship conversely permits a gratuity of violence, vice, and sadism which otherwise would be impossible. The title and end cards of THE PUBLIC ENEMY offer the officially sanct...
Dystopian science-fiction lives or dies by how successfully it extrapolates the world we live in. CHILDREN OF MEN convincingly imagines a Britain where technology has advanced at the same rate that quality of life has declined. Aside from c...
Aside from a few explosively exceptional examples – such as the work of director Peter Greenaway, which is referenced here – period literary adaptation is the most conservative drama that British media produces. A COCK AND BULL STORY is an...
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The writers behind this newsletter.
I write about film, television, and literature. I am the co-host of The Everything Sequel Podcast. I am an actor, playwright, and theatre producer working out of San Diego, California. I used to be a university lecturer and media studies scholar.
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