
250 articles of 250 words on a 25 frames per second medium.
| Platform | Pricing | Only free issues | Publishes | Daily | |
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| Issues | 100 | Founded | 8 months ago | Last Issue | 7 days ago |
| Active | |||||

At its peak, classical Hollywood cinema offered thorough entertainment that was as thoughtful, dramatic, creative, and impressively mounted as the highest works of art. They served as a modern reminder that elite and popular culture were hi...
There is a subculture of actors who have turned to direction for one or a small handful of films. They are always never less than interesting and often startling in their originality. This is one of the many ways in which Peter Ustinov rese...
When Orson Welles publicly called Elia Kazan a traitor to his industry due to his role in the Hollywood blacklist, he couldn’t help but add the caveat that he was a great film director. A cursory glance at EAST OF EDEN makes clear why. The...
Wherever he is in the world and whatever he happens to be doing, Fritz Lang cannot help but revolutionize screen culture. His filmmaking in Germany in the twenties created the visual language of science-fiction and horror in moving image me...
If there is any credence to the auteur theory, it should acknowledge that Fritz Lang was able to direct a marital melodrama set in a fishing village that is as profound a statement of the dehumanization of modern society as his METROPOLIS....
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The writers behind this newsletter.
I write about film, television, and literature. I am the co-host of The Everything Sequel Podcast. I am an actor, playwright, and theatre producer working out of San Diego, California. I used to be a university lecturer and media studies scholar.
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