
Musings about film, music, theater things I am working on. There might be a bit of shameless self-promotion.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 41 | Subscribers | Read | alejandroariera.substack.com |
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American films and the last three presidential elections would make us believe that nothing says Thanksgiving and the Christmas holidays more than a nice get together with your dysfunctional family. And so, in keeping with this festival sea...
In the fall of 1982, just as I was starting freshman year at Carleton College, I enrolled in a class on the French New Wave taught by John Schott (at the time the head of Carleton’s Media Studies Program and, later, the Executive Producer o...
On the surface, Bill Condon’s adaptation of Terrence McNally, John Kander and Fred Ebb’s musical adaptation of Manuel Puig’s 1976 novel Kiss of the Spider Woman and Kathryn Bigelow’s A House of Dynamite could be no different. The former is ...
It isn’t until about an hour and some change into Anemone, Ronan Day-Lewis’ feature film debut co-written with his father Daniel, that we finally find out the meaning behind the film’s elusive title: anemones are the wildflower the father o...
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Born in Santurce, Puerto Rico and in love with the movies from Day One, I started writing my first film reviews for my high school newspaper. Little did I know that what became an extracurricular activity at school would turn into a career of sorts.
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