alhures
Miguel FernandesSubstack pessoal. Literatura, cinema, crítica, arte, tradução e afins.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 58 | Founded | 3 years ago | Last Issue | 13 days ago |
| Active | Language |  Portuguese | |||
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alhures.substack.comLatest Issues
AMADOR VERSUS PROFISSIONAL
“Amateur Versus Professional”, Film Culture N°39 (1965), pp. 45-46.
Tradução: Miguel Fernandes (2022).
Maya Deren (1917-1961)
O maior obstáculo para os cineastas amadores é a sua própria noção de inferioridade em relação às produções pro...
INEXORÁVEL DULÇOR
“Une inexorable douceur”, Cahiers du Cinéma N°98, pp. 57-58, agosto de 1959.
A Imperatriz Yang Kwei Fei (1955), dir. Kenji Mizoguchi.
Para falar convenientemente de A Imperatriz Yang Kwei Fei, um dos últimos filmes de Kenji Mizoguchi, ser...
PRESENÇA DE F. W. MURNAU
F. W. Murnau (1888-1931).
Tradução: Miguel Fernandes (2021).
“Présence de F.W. Murnau”, Cahiers du Cinéma N°21, p. 3-11, março de 1953.
Antes de tentar definir o lugar que Murnau ocupa no cinema alemão do Entreguerras, parece-me oportuno...
NICHOLAS RAY EM VENEZA
Tradução: Miguel Fernandes.
“Nicholas Ray à Venise”, Cahiers du Cinéma N°75, p. 47, excerto do Petit Journal du Cinéma, outubro de 1957.
Nicholas Ray (1911-1979).
Ao fim da apresentação de Amargo Triunfo, Nicholas Ray se prestou gentilme...
MONTAGEM, MEU BELO ANSEIO
Tradução: Miguel Fernandes.
“Montage, mon beau souci”, Cahiers du Cinéma N°65, dezembro de 1956, p. 30-31.
Jean-Luc Godard (1930-2022).
... Salvamos isto na montagem: verdadeira para James Cruze, Griffith e Stroheim, essa máxima quase já...
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Authors
The writers behind this newsletter.
— \ud83c\udde7\ud83c\uddf7 Traduções (\ud83c\uddeb\ud83c\uddf7, \ud83c\uddec\ud83c\udde7 e \ud83c\uddea\ud83c\uddf8, principalmente). Escrevo e publico às vezes. Estudo cinema. — "I want to be an honest man and a good writer".
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